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Blending fantasy and reality, this animated short is a bold inquiry into an as yet unresolved problem - the nature of human identity. When a scientist creates a machine that can make copies of physical objects, including humans, a number of ethical questions arise. Is the technique moral? What of its safety? A film by Oscar-winning filmmaker John Weldon (who also wrote the catchy banjo tune that punctuates the story's changing moods).
Hopeful job candidate Buck Boom is dynamic, forceful, confident and creative. But can he convince Mr. Mudgin, the personnel manager, to hire him? You see, Boom is an animated character in a live-action world and Mudgin is not used to dealing with someone who is different.
In this zany tale, three storybook characters experience the dangers and temptations of life while trying to maintain physical and moral integrity. Three well-known animators collaborated to create this potpourri, and though each section was animated independently of the others, recurring threads of story and theme weave the whole into a unified moral fable. Film without words.
A hapless husband neglects to clear the icy walk, which leads to the mailman slipping and breaking his neck. A comedy of errors results from his attempts to hide the body.
In attempting to secure his domicile against perceived external threats, our hero manages to create a more dangerous internal environment. The film uses humor to illustrate that problems can arise when freedom is sacrificed for safety.
A short illustrating Wade Hemsworth's folk song about a woman's admiration for the agility of her boyfriend, the log driver.
A series of six opening logos and one closing logo produced as part of the NFB's contribution to the Ottawa '82 International Animation Film Festival.
Using splashy hand-drawn animation, the story about a man who ends up in the hospital and probability theory is illustrated. When the guy awakens in a hospital bed, the doctor begins spouting all sorts of statistical probabilities--at which point the patient seems confused. So, the doctor explains the history behind probability theory as well as its application.
John Weldon dissects the nature of personal space, community, and crime and punishment in this macabre whimsy. Employing the simplest of animation styles to enhance a mock Zen spirituality, Weldon and composer Chris Crilly debate the Old Testament notion of "punishment fitting the crime." A film without words.
A lonely woodcarver longs for a son, so he builds a wooden puppet and names it Spinnolio