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In the lead-up to Christmas 1974, an army of about seventy Santa Clauses, male and female, paraded through the city of Copenhagen, singing carols, handing out sweets and hot chocolate, and asking everyone what they wanted for Christmas. After spending a few days cementing the good image of Santa Claus, their generosity became increasingly radical. Among other things, the Santas climbed a barbed wire fence surrounding the recently shutte red General Motors assembly plant with the purpose of giving jobs back to “their rightful owners.” The week-long performance reached its crescendo inside one of Copenhagen’s biggest department stores when the Santas started handing out presents to customers directly off the shelves. The performance exposed the radical implications of the myth of Santa Claus’ boundless generosity, demonstrating that true generosity is impossible within the narrow terms of capitalist society.
A young woman goes on a vacation at an old farm, which once belonged to her deceased grandmother. Childhood traumas and the memories of her strict and authoritarian grandmother haunts the young woman and leads her to scary delusions and a mental breakdown.
During a production of "Hamlet", the withdrawn lead actor and the girl playing Ophelia, who has just escaped a life of drugs and prostitution, spark an unlikely and low-key romance.
Set in 1962 during the Berlin crisis, the contented lifestyle of Carmen and her kid brother, whom she's nicknamed Babyface, comes to an abrupt end when their parents acrimoniously separate.
Drama about a young Dane who has traveled to America to find the father he can hardly remember. In New Mexico he gets to know the daughter of a political-religious fanatic who runs a "survival school". The young Dane is interested in the girl and admits to school. Later, however, there will be a violent showdown with the fanatic. But was this man, in fact, his father?
While current events are being discussed in the news and the residents of Riga are plagued by their everyday worries, cats are fully occupied with aimlessly wandering around staircases, offices, and apartments, completely indifferent to the absurd hustle and bustle of our civilization. This clever pseudo-documentary play on words comments on the role of subjectivity in our perception of the world around us.
I traveled to South Africa to find a white family living on a desolate farm. I wanted to film how they faced the new days of equality after the fall of Apartheid. But I soon lost my way both on the endless roads and in my way. Instead, the film became a story about two very different women who both experienced a tragic loss in the midst of a white community not too fond of the future.
Jon Bang Carlsen's essay about his way of approaching reality with a camera. Following the filming of "It's Now or Never", the story of an Irish bachelor's quest for love, Jon Bang Carlsen elaborates on how he manipulates reality in order to get to the core of it. " Staged documentary " he calls his method.
On the windswept planes of the Burren, fifty-something bachelor Jimmy McEvoy spends his days constructing dry stone walls and waiting for a call from the matchmaker, as he muses on life and love.
A former army officer befriends an elderly, poorly, lady and encourages her to enjoy reminiscing about her youthful days.