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Peter Berdon (Mario Selič) joins a group of Stalinists after his father is killed by the Nazis in this grim political drama. The film begins with his arrest and uses flashbacks to tell the events that led to his incarceration. His abuse is chronicled both in and out of prison after he falls in with a Bonnie and Clyde-like duo after the war is over.
A Bohemian and a five-year-old take walks on the outskirts of Osijek.
The film presents the interesting childhood of Lojze Slak and his beginnings in "Barbov Slak", school years, wartime, the testimony of his large family (10 sisters and brothers), colleagues, members of the ensemble, songwriters, editors, producers, etc. The film also contains interesting footage from tours (USA, Canada, Australia), concerts and TV shows throughout the entire period of the Lojze Slak Ensemble.
A postal worker is suspected of committing a robbery at the rural office where she works alone.
A young soldier enters a conflict with his superiors and because he does not get the exit for the May Day holidays, he decides to escape. The escape of the weapon is a serious offense, and because there are no routes back to the barracks, the fate of the violence that leads to a bloody bribe begins to unfold. The story goes back to the time of the Chernobyl nuclear catastrophe.
Story of a small group of people who think there is going to be an attack by a group of rabid animals. They perceive this danger through a trance they invoke by hitting their heads against a stone. They decide to oppose their enemy, and a fierce clash takes place.
The film scores particularly as a psychological study of a student dropout. It focuses on Pavle Komel, a young man who shuns even the most elementary relationship with previously close friends and acquaintances. A final attempt to find himself via a return to his childhood roots in a rural area, followed by a brief contact with his estranged father, prove fruitless: in the end Pavle decides to quit his studies altogether at the university.
Socialist Slovenia’s first feature-length experimental film, DAILY NEWS was shot in 1980 on Super-8mm by then-26-year-old Franci Slak, who would go on to become an acclaimed industry director. As its title suggests, the film is a diary in which the author records his observations of the outside world; as Silvan Furlan writes, it “evokes with a certain nostalgia those golden days of the underground, when the freedom of filmmaking was written in capital letters.” Film theorist Jože Dolmark appraised it best: “the film contains a desire to record (not strictly chronologically) the experience of a lived day: what happened to you, what you experienced, or which is more interesting, what you would like the day to look like, according to how you’ve imagined it. I think the entire power of DAILY NEWS lies in this desire of Franci’s for what remained unspoken, what slipped, what remained outside the edges, and what we’ll never know.”
A mysterious, playful group performs an unusual dance macabre in gas masks in front of a local church, while in the background smoke-belching chimneys pierce the sky. The film captured the spirit of its time and shocked the Yugoslav underground film scene with its unique blend of psychedelic playfulness and dark dystopian imagery.
Two sisters discover an abandoned infant in the forest and, unable to find his mother, have him baptized as Aleksander (Leksej) and adopted by their family. Enchanted by the itinerant violinist Jakob, Aleksander becomes his pupil, inherits Jakob’s violin on his deathbed, and despite being bound to hard shepherd duties and facing jealousy, persists in pursuing his musical gift.