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During the last dictatorship and in the first years of return to democracy in Argentina, the under movement suffered attacks, exiles, arrests, ridicule and disqualification for a large part of society and applause from a minor group of people. In that underworld, Transformism was located as a form of expression cultural and artistic. Bernarda is the homeland, deconstructs the gender binary from Lorca and those movements of culture of the 80 '.
Two estranged sisters have to live together after many years of a bar relationship. All their past comes back to haunt them with some funny and strange circumstances.
This film is a combination of genres (docu-fiction, comedy-musical, mockumentary and drama-ponele) endowed with grace. It is a culebronizado backstage of the rehearsals of the musical Ella, homage to Rafaella Carrá, where Christopher Guest entrenches a group of dancers and choreographers, following them closely in their problems of love and of makeup. It shows situations of contagious pop vitality, and music and dance set the stage for a shocking ending, which kindly suggests rethinking various representation problems: Schipani and Montiel seem to have known in advance that it is dangerous to always tell the truth
A routine trick propels a tall, dark, cynical hustler into a series of life-changing encounters in this drama. But this amicable and sexually efficient rent boy begins to look at himself differently when he finds himself lost in a maze-like apartment building. As he wanders through the building, he tricks with a variety of johns; sex is the commonality, but out of that commodity comes raw, unguarded emotions for all.
King is a young man, but he's already a veteran of life on the streets of Los Angeles. The de facto leader of a group of teenage runaways, King acts as a mentor to troubled kids such as gay hustler Little J and junkie Greg. When Heather, a beautiful girl from Chicago, starts hanging out with King and his crew, it changes the dynamic of the gang. However, it seems as though nothing will alter their dangerous lifestyle.
Ariel is a good-looking farm boy who lives with his father and sister in a rural part of Buenos Aires province. He has become familiar with sex thanks to Omar, a priest with whom he has a secret affair.
After the suicide of his best friend and the fire of a local dance called Cromañón, including recitals, illegal parties in an abandoned warehouse and high school, a year passes by in the life of Zabo who writes everything he feels and lives in his blog, "Memories of a teenager".
Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.
Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.
Sean is taken to a motel and is given a prostitute for his 18th birthday by his father. He must sleep with her to "fix" his questionable homosexuality. "Pretty Boy" is a coming of age story of a young bullied teen, Sean, struggling with his sexuality and the hardships of high school. After his father finds some questionable magazines in his room, this devout Christian will go to any lengths to get his son to find the light and "perform" the way a man should. Sean is introduced to Katie, a prostitute that understands the stigmas of modern society and helps him see the true light that is within him.