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Dr. Moreau is an abstract horror short, adapted from H.G.Wells' classic novel, that will invite the viewer to board on a tangible journey to the borders of science, where the differences between nature and humanity are blurred.
The Philosophy of Horror – A Symphony of Film Theory is an abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. Our film uses hand painted and decayed 35 mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).
This film examines the relationship between the 1950's movie gimmicks and the contemporary blockbusters through the synesthesia of the classical abstract cinema.
The Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).
The title of the film is the date on which the editorial staff of Hungary’s largest opposition newspaper, Népszabadság, was fired. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context.
Soil resounding, then the echo of dripping water submerged and muted in a river’s flow. A young filmmaker floats between old polaroids. Flickers. The recollected and the photographic become the canvas of a colorful intervention. The roughness of splashes seem an obvious reaction to years passing by in two minutes.
Eszter, her husband Farkas, and their five-year-old son Bruno are paid an unexpected visit in the middle of the night. Eszter’s sister Ernella, her husband Albert and daughter Laura have returned from a year spent in Scotland where, contrary to expectations, they weren’t able to settle down. It soon becomes clear that the two families had never really been in tune with one another.
Behind the Iron Curtain, Geri leaves for college, looks forward to meeting girls and partying and joins a group of radicals led by the charismatic Száva. But Geri has a secret. He’s an informant of the totalitarian state and to save his brother, he’s been forced to spy on his new friends for State Security.
Dropped into a web of family, sexual, political and romantic relationships where nothing is quite what it seems. One event leads to something else, people appear in one situation and reappear in another and by the end the lives of 22 people intersect in unpredictable ways during a 90-minute period on one magical night in the city they share.
If we are not careful, years have passed, and our life have become completely monotonous.