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In a world overtaken by eternal darkness, the buttoned down entomologist abandons his phantoms to embrace the unknown.
A young teacher is the victim of a cruel joke. When she enters the classroom, all her pupils are naked, standing near their bench. Their clothes are heaped up on the podium.
A small, empty boudoir slowly becomes populated by a series of young women, their still and open expressions gradually engulfing the screen, as a nun narrates an account of religious rapture. Belgian filmmaker Olivier Smolders continues a brilliant exploration of religious ecstasy, figured in and epitomized by the erotic, death-defying gaze of the camera lens, in this sublime black-and-white treatment set to excerpts from the theological writings of Saint Teresa of Avila.
Based on the real life story of Sagawa, a Japanese student who killed, dismembered and ate a young Dutch girl in Paris.
Mental anguish is all that's present in the film Seuls / Alone (1989). Shot like a grungy medical documentary, Smolders and co-director Thierry Knauff intercut shots of several children at a Belgium psychiatric clinic. The kids are shown with forlorn expressions, twicthing their eyes, sometimes smiling, shaking, jumping, rocking their heads side to side, or smacking their heads with horrific glee against walls. It's a minimalist work that captures the intense monotony of lost and disturbed young minds, and maintains a gritty intensity.
The camera slowly pans through a room as Smolders offers various observations and memories.
A bereft filmmaker asks a series of women to pose nude for his camera in this striking and moody short film by Belgium's Olivier Smolders. The silent encounters act as counterpoint to a contemplative internal monologue musing on love, loss and the subtle power-plays of aversion and desire underway in an atmosphere pervaded by an irresistible erotic gloom. Filmed in a lustrous black and white, the themes explored find their perfect compliment in the stark, fascinated, all-embracing gaze of the camera. - Robert Avila
At the end of the 18th century, Florentine artists recreated in wax the bodies laid bare by the surgeon’s scalpel. In a symmetrical gesture, this Little Anatomy dissects the images themselves, performing incisions, grafts, and mise en abyme. From this emerges a people of strange creatures.
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
Ten films written and directed by Olivier Smolders too freely inspired by the work of Ignace de Loyola