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Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
An upper-class corporal is captured by the Germans during their 1940 invasion of France. Assisted and accompanied by characters as diverse as a morose dairy farmer, a waiter, a myopic intellectual, a working-class Parisian, and a German dental assistant, the corporal tries to escape from prison camps, sometimes making it a few yards, sometimes reaching the border.
The Marquis de la Chesnaye and his wife host a weekend gala where a variety of complicated romantic and social entanglements between guests and servants lead to tragedy, all against the backdrop of a looming war.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.
Returning by train to the French port of Le Havre, Jacques Lantier, a tormented railwayman, meets by chance the impulsive stationmaster Roubard and Séverine, his wife.
A young French woman inherits her uncle's property in Algeria, and finds herself plotted against by her envious cousins, but also romanced by a handsome but previously irresponsible young man from a neighbouring farm.
A hunter happens upon a fugitive and his daughter living in a Georgia swamp. He falls in love with the girl and persuades the fugitive to return to town.
Count Moffat becomes infatuated with Nana, a presumptuous stage actress, vulgar, hypocritical and promiscuous, willing to do anything to succeed.
Rival knights compete for the hand of a beautiful maiden in this period feature from Jean Renoir.