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Somewhere in Brittany, on a hill men and women have taken to sculpting the effigies of saints in blocks of granite three to five meters high. In the end, a thousand statues are supposed to reign over this site for eternity. The film sketches the portrait of this strange stone population and of this crazy project.
In their secluded bourgeois mansion surrounded by nature, Athmane and Patricia have decided to wean their eldest son, Idir, off heroine. Sabri, his little brother, roams about aimlessly, waiting for a sense of liberation. He is the one who will take charge of the situation.
In the North Finistère, in Brittany, it’s late October, the low season. It’s Célèste’s last day of work as a caretaker at a seaside camping ground. Just as she’s getting ready to leave, a child disappears…
In 1927, filmmaker Oskar Fischinger traveled for three weeks along the side roads between Munich and Berlin, filming frame by frame the people he met along the way and the places he passed through. In 2020, the director did a remake of this film during a month-long walk between Paris and Brest.
All rivers flow to the sea. And the sea is never full.
The year thousand. The famine and the war of duchies ravage Brittany. An albino prophet, Godevin, crosses the Finistère to announce the end of the world. With his followers, he walks towards the end of the world, the Finished Terrae, where the safety is.
Raulhac, Cantal, France, September 1, 1905. In the forest surrounding his hometown, the young seminarian Bruno Reidal murders a child and then surrenders himself to the authorities.
Suffering bodies, death at work, Louis-Ferdinand Celine. Destruction, anonymous, an escape.