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Live from ROH 1985. Giordano's Andrea Chenier is one of the greatest of verismo operas, full of heart-stopping big tunes and powerful emotional situations. If it is not as well-known as it should be, it is because in summary it sounds a little too like Puccini's Tosca: there is a tussle between political opponents over a woman, an attempt to save a condemned man, a tenor aria about writing poetry on the eve of execution. The difference is that Gerard (Giorgio Zancanaro) is not a villain like Scarpia, he is an idealist whom the French Revolution has betrayed as much as it has his rival the poet Chenier (Placido Domingo). His temptation to abuse his power to seduce the virtuous Maddalena (Anna Tomowa-Sintow) is a momentary one, though its consequences are terrible. There is a streak of post-Wagnerian decadence in much of this--Maddalena is at least as much in love with death as she is with Chenier, and the final love duet has a deeply sinister aspect. -- From Amazon.co.uk
Johannes-Passion St. John Passion Equiluz · Moser · Holl · Scharinger Soloists of the Tölzer Knabenchor Tölzer Knabenchor Concentus Musicus, Wien Nikolaus Harnoncourt Directed by Humphrey Burton
A music miniseries, filmed largely on location in Vienna and Germany, not only featuring Bernstein but also, noted actor Maximilian Schell, who not only provided commentary on Beethoven, but read from his letters. The miniseries contains performances of all of Beethoven's symphonies as well as several overtures, a string quartet that Bernstein re-orchestrated for the entire string section of the Vienna Philharmonic, and the Missa Solemnis, all conducted by Bernstein. It also contains commentary about the music by Leonard Bernstein.
This is the Andrei Tarkovsky production of the famous Pushkin/Mussorgsky opera, performed in 1990. Modest Mussorgsky's opera in prologue and four acts is performed by the Kirov Opera with performances from Olga Borodina, Alexei Steblianko and Sergei Leiferkust. Boris Godunov has obtained the throne of Russia by murdering the rightful heir Dmitry. An old monk, Pimen, witnessed this, and convinces his apprentice Grigory to avenge Dmitry's death. In the following years Grigory poses as Dmitry, raising an army against Boris, who is now convinced that he is being punished for the murder. Filmed in Russia during the collapse of the Soviet Union, this particular production of Mussorgsky's 1872 tale of political upheaval is considered a highly unique and historical moment in opera. Robert Lloyd stars in the title role of Boris Godunov.
You will find this Requiem the finest on video. It certainly outshines Bohm's dated approach, and Bernstein's lethargically slow performance. (No disrespect to them, I enjoy them but this is better :) It also gives us a superb opportunity to view Solti at work, and I wonder why don't have more of his performances on video. One may also enjoy seeing (and hearing) Rene Pape at only 27 years old, likewise Cecilia Bartoli in her young prime.
Candide falls in love with the beautiful but materialistic Cunegonde. Her barron father doesn't approve of the affair so Candide wanders, meeting all the misfortunes along the way.
Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.
Jean-Marie Villegier's modern interpretation of Handel's "Rodelinda" – filmed live at the world-renowned Glyndebourne Opera House in the United Kingdom, sets the timeless tale of jealousy and treachery in the black-and-white world of the silent-movie era. Soprano Anna Caterina Antonacci sings the title role of Rodelinda, with tenor Kurt Streit and bass Umberto Chiummo performing the parts of Grimoaldo and Garibaldo, respectively.
"Four Ways to Say Farewell" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. Filmed in 1971, this rehearsal was directed by Humphrey Burton,