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Set around 1910 in the Chaco region, the film depicts the plight of quebracho woodcutters, cruelly exploited by English businessmen with the support of the authorities, local police, and a paramilitary force established by the employers themselves.
A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who is determined to discover the truth.
A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by
When Caro and Marce go on vacation they find a new friend, Buji, and just like Dibu, she is a cartoon animated kid. Abu, Pepe, Víctor, Leo and Dibu are left alone at home and they have quite an adventure when they decide to sign-up Dibu in a go-cart race.
In a small town in Patagonia (Southern Argentina), a Mapuche Indian chief sets a tourist complex under construction on fire. He denies all attempts to defend himself. Locked up, he waits for the arrival of "Caleuche," the Ship (Nave) of Fools (de los locos), a mythical figure of his ancestral strength which "made" him start the fire. An appointed lawyer (a white woman) comes to the chief's defence, alleging the chief had acted in self-defense as the white man was building commercial structures on the sacred burial grounds of his ancestors, and continued doing so even after heated protests.
Audrey investigates a murder that occured 23 years ago in a dark mansion. She searches for the dead body, the killer, and the truth.
Three stories based on tales of the book by Manuel Mujica Lainez, ("El hambre", "La pulsera de cascabeles" y "El salón dorado".).) On scripts for the directors themselves and the collaboration of Ernesto Schoo.
Saverio is an insurance broker who arrives in a small town after receiving a letter from a potential client requesting insurance for "special affections." Upon arriving at the mansion, Saverio is captivated by the beauty of Susana, the granddaughter and heiress to a vast fortune—beautiful, refined, and cultured. What Saverio doesn't suspect is that he will become the victim of a macabre plot, in which he plays a crucial role. Susana, in collusion with her family and friends, will feign madness with the sole purpose of making Saverio fall at her feet.
Mercedes Sosa's recital upon her return from exile, in which she was accompanied by renowned artists, and an interview with the artist in which she recounts her life story from her childhood to the years when she suffered censorship, persecution, and exile.