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A Peruvian schoolteacher conspires with a journalist to assassinate the official responsible for her fiancé's murder.
The Peruvian army captain Pantaleon Pantoja, a very serious and efficient officer, is chosen by his superiors to set up a special service of 'visitors' to satisfy the sexual needs of the soldiers posted on remote jungle outposts.
A violent blind man wanders through the center of Lima, upon entering a restaurant he causes an incident with the public and the employees.
Four stories taking place in Lima, Peru in the 70s.
Ella – well she has a name too – Luna (Patricia Garza), is actually about her much older husband and painter Alfredo (Paul Vega), and his choice of actions/reactions after she decides to leave him for a lover that he wasn’t aware of. Alberto has been going through a creative crisis and is under pressure to complete a series of paintings for a forthcoming show. It is nevertheless also plain to see that he’d been treating Luna, who’s also his model, largely as an object of desire and obsession – capturing with camera her every movement in the house when she’s not posing for him, and memorising her every physical feature, moles and warts included – he’d apparently counted twenty seven moles on her body. When Alfredo tracks down and entraps the lover she’d wanted to elope with (Rómulo Assereto), he’ll discover that they both have more in common than merely desiring the same woman…
The Capitan Burdeles invites three longtime friends, Coraza, Doctore and El Negro, to the meeting for drinks and card games that are usually held on Saturdays. While they wait for him, they receive a call from El Negro who has had a fight in a hostel with his ex-partner, Mariana. The friends go to the place and manage to transfer Mariana, who has lost consciousness, to the meeting place. They play games and make drinks while they wait for him to recover. But this does not happen and they will soon find themselves in the alternative of having to get rid of a body that has become apparent evidence of a crime. During the long night the ghosts of sexism, frustration and imposture so characteristic in certain social sectors of our culture will appear.
An ambitious black comedy that tells three loosely related stories: a couple of elderly landowners, laid low by economic conditions and reformist politics, are trying to gather enough money to build themselves a marble tomb that would keep their remains in the style to which they still aspire; they give their now blind former housekeeper a pig that proves to be more trouble than it's worth as the effort to fatten it up destroys what little family the woman has; and one of the couple's tenants, who is presenter of a relentlessly optimistic radio self-help show, tries to put his own counsel into effect when he saves a young woman from suicide.
Inspired by actual events, the film follows Aquiles, an Amazonian boy abducted by the terrorist group Shining Path. Through his testimony, we witness his journey from victim to fighter and his desperate attempt to escape. A raw and intimate look at indoctrination, violence, and survival, the film reconstructs his struggle for identity and freedom.
The last hours of a famous criminal named the Monster, who raped and killed a young kid. But some how, despiste all the facts and the proof against him, he seems to be innocent