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After seeing a friend of his boss' son adopted over his promised promotion with connections, Shrimp's father, a minor white-collar worker Ng Kwun-sing, vows to get Shrimp a place in a prestigious school and a chance to make friends with the rich. However, Shrimpy is constantly bullied and discriminated against by his classmates. Ng has not the means to be a social climber and finally realises his mistake. He sends his son to a voluntary school so that he may grow up happily. This poignant father-son drama shows a parents' willingness to carve out a good future for their children by any means necessary.
Mr. Wong and his students take shelter in a house during a storm, where the caretaker, Uncle Fook, tells a ghost story. Long ago, cousins Bai Yunfeng and Bai Deqing rescued a singer, Qin Chuxiang. Both loved her, but Chuxiang only loved Yunfeng. Deqing, jealous, convinced Yunfeng’s father, Bai Yinzong, to break up the couple by arranging Yunfeng’s marriage to a cousin. However, Chuxiang was pregnant, so the Emperor agreed to their marriage. On the wedding day, Chuxiang’s mother revealed that she and Yunfeng were siblings. Deqing then bribed locals to accuse them of incest, and they were nearly drowned. Mr. Wong’s group realizes Yunfeng and Chuxiang survived and had pretended to be ghosts for years. Yinzong exposes Deqing’s plot, and Yunfeng and Chuxiang finally marry.
Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.
Koo Tai-cheung is the boss of Tai Luen Company. His son, Koo Man-kei, has just returned from studying overseas. Though he wants to be a teacher, his father forces him to work in the company where he meets Ting So-ha, a secretary. They become intimate, arousing the displeasure of cousin, Lucy Pak, whom Tai-cheung has secretly chosen to be his daughter-in-law.
As the Cantonese 'Jane' Bond films evolved, the genre became less Bond-like, cutting down on the staging of fights and the flaunting of secret weapons. The heroine(s) remained an action figure, complete with quick wits and agile prowess, but the stories increasingly took on the jewel theft plot and the twilight world of decadent deviance. The Mysterious Sisters is no exception as director Ng Wui renders high class thefts in the style of the classic French film Rififi, and long stretches of action that unfold without dialogue.
A sculptor and his girlfriend conspire to kill a rich young relative to take his family fortune but things don't go as planned.
Hong Kong movie
"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.