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People of different nationalities from Central Europe attempting to reach the West by crossing the controls and “European” rules.
Inspired by Karl Marx's "Das Kapital", three men and a girl named Jugoslava decide to wake up the conscience within the working class and peasants. Faced with the primitivism and a lack of morale, their revolution fails and the girl is the one to be sacrificed as a witness of their unsuccessful attempt.
Milošević’s regime has rigged the results of parliamentarian elections in autumn 1996. This was a cause for mass rallies in Belgrade and other cities in Serbia. The film documents the protests during the first four days of their protests, their political and criticising charge but also the carnival spirit. On the seventh day of the protests the film was edited and had a premiere screening in the Rex Cinema.
The first film in what would ultimately become Zilnik’s famed Kenedi trilogy follows street hustler Kenedi Hasani and his friend as they roam the streets of Serbia seeking Kenedi’s parents. Kenedi Goes Back Home is Zilnik’s account of the Roma people who were forced to flee from the war in the Balkans to Germany in the 1990s and who, ten years later, are forced against their will to return to Serbia. Zilnik shows the immigrants' lives in relation to the prevailing ideology shaped today by the borders between rich and poor and by the often-racist selection process that determines who will be accepted into Western Europe. In presenting the dilemmas and identifying the crises these people face, he appeals for a solution.
A multinational company owned by Mrs Judit Angst is facing financial difficulties: she decides to hire a group of young anarchists to fake her "kidnapping". After a couple of weeks spent in confinement she will be able to justify the downfall of her company before the people and at the same time to gain the status of the opponent to the destruction and chaos.
The aged rocker Igor works as a journalist and DJ at the "Radio Student" in Ljubljana. He notices that the janitor Miha works for the police, tapping the walls and observing the journalists who are critical of the regime. After a clash with his editor, Igor decides to leave for Greece by his old bike DKW from 1938, via Bosnia and Serbia. Young Rahela joins him on the trip. Traveling through Yugoslavia, Igor becomes involved in unexpected turmoil: Milosevic's "antibureaucratic revolution" starts in Serbia and Vojvodina.
"Fitzgerald" is Jovica's nickname among his friends. One day Jovica, a film projectionist from the childhood of Zilnik, an old jazz pianist and one of the actors from The Way Steel Was Tempered, hear of Ella Fitzgerald's unexpected death. Jovica is desperate; he plays the piano all night long and cries. His wife threatens him saying that she will throw him out of the house unless he gets rid of the piano.
A mixture of documentary and fiction examines the new god of Capitalism offered to the Serbs with the ending of state socialism. We look at a number of strikes in Belgrade during the late 2000s and these introduce us to several characters playing themselves. Employees dressed in American football helmets and pads square up with employers' heavies in their bullet-proof vests, resulting in explosive situations. A visit from the Russian tycoon's representative and vice president Joe Biden's arrival further complicates the proceedings.
Pirika travels to Berlin to visit her daughter Dobrila and her grandchildren, whom she's never seen. Dobrila, a lesbian, avoids her mother, however, because she doesn't want to tell her the full truth about her children. Everything is resolved at a German film retrospective, where Pirika plays the role of her life. A docudrama about the autumn of life of one of the leading protagonists of Zilnik's film Early Works.
In Žilnik’s hilarious and sneakily charming docu-fiction, post-socialist restitution returns his childhood home to Serbian jazz musician Stevan. After six decades in Germany, he returns to his homeland where a series of reunions sheds light on his life.