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An omnibus project bringing together acclaimed directors from around the world, each contributing a 42-second short inspired by a dream. Produced by 42 Below vodka, the collection blends surreal, poetic, and experimental visions into a mosaic of oneiric cinema.
Filmmaker Jonas Mekas follows his friend, film director Martin Scorsese, and his cast and crew, through various locations during the shooting of his film The Departed, released in 2006.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Jonas Mekas’s film captures The Living Theatre’s stage production of The Brig, an unflinching portrait of life inside a U.S. Marine Corps jail in Japan in 1957. Over the course of a single day, prisoners endure relentless drills, abuse, and dehumanization, exposing the brutality of military discipline with stark immediacy.
Jonas Mekas captures an afternoon in New York as a Hare Krishna group fills the streets with chanting and song. Filmed with his characteristic freewheeling style and later incorporated into Walden, the short stands as an impressionistic sketch of spiritual fervor and Mekas’s participatory approach to cinema.
I made this little film portrait of Dreyer on the 17th of September 1965, in New York. He said he was very interested in what I was trying to do in the possibilities of film portraiture. - Jonas Mekas
In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.
A lyrical diary film composed of fleeting images of the World Trade Center, filmed over decades as the towers appeared in Jonas Mekas’s everyday life—from street scenes and rooftop gatherings to family outings by the waterfront. Together, these fragments form a poetic memorial of presence and absence.
Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.
The tapes in the program consist of some of Mekas’ earliest cassettes from the 1990s not long after he first began working with video as well as more recent mini-DV tapes from 2010s. The contents of the tapes have not been previously seen in their entirety. The footage provides rare insight into aspects of Mekas’ video-making practice, as well as his activities, thoughts, dreams, and concerns, especially during the later years of his life.