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O Visconde is based on the same Álvaro do Carvalhal short story as Manoel de Oliveira's The Cannibals.
“A Princesinha das Rosas” is about Naíde, a girl born from the union between a fisherman and a mermaid, adopted by monarchs of a country with no heirs, but to whom the call of the waters will inevitably attract.
Biographical program on Camilo Pessanha, a poet associated with the movement of symbolism in the Portuguese language, led by Danilo Barreiros, writer and researcher, highlighting his stay in Macao and the influence that Chinese culture and art had on his work.
A Noite de Walpurgis is a fantastic tale by Hugo Rocha, admittedly inspired by Goethe's Faust. The narrator-protagonist reveals a story told to him by a third person. Here the third person is an old peasant woman that the protagonist finds in a walk through the mountains, and that tells a story that in turn would have been told to her by the grandmother.
Documentary about the life and work of the painter Dominguez Alvarez, interspersed with fictionalized staging of some moments of the life of the artist.
Short film made alongside Máscaras (1976).
Program of biographical character, about Camilo Castelo Branco. Poetically, it recreates the passage of the melancholy presence of the writer, lonely by the land, while an old storyteller shares the biography of the renowned author for simple people of a humble settlement.
A biographical program about Almeida Garrett, poet and playwright, from a historical perspective, highlighting his involvement with liberalism, political career and his role as the driving force of the theater in Portugal.
The film sought to portray a relatively unknown and isolated rural world and, through a highly politicized discourse, affirmed the genuineness of “folk culture.” Representative of the new documentary film movement that developed in Portugal after the revolution, the movie encouraged the local retrieval of the Caretos tradition. A ritual that seemed to be doomed by the conjoined impact of emigration, the colonial war and the crisis of agriculture was thus brought back to life. - Paulo Raposo