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A village in the Tarn region in summer. They work in offices or factories, are doctors, teachers, or retired people. They come together to tell a story, and to sing it. Songs seep into everyday life, becoming a part of the landscape.
Victor, in his early 20s, works at the town hall and lives with his girlfriend Charlotte, who is expecting their first child. When an incident happens at the nearby nuclear power plant, he and his high school friends are forced to confine themselves inside a farmhouse, whereas they should have evacuated the area. As the rain is threatening, they are keeping an eye out for the radioactive cloud. The next 24 hours will be crucial.
A young man seems to be dreaming of a reality different from the business he is about to take over and the married life that goes with it; he is drawn to the spicy life of a queer vaudeville troupe performing in his village.
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
"Rita Hayworth, my grandmother and me. Time passes. Images age... too." (Gaël Lépingle) A visual and sound collage that superimposes and intertwines the destinies of a grandmother facing incipient Alzheimer's and the film star Rita Hayworth.
It's a man and his place, the father in a housing estate. It's after his death. Something has been found. Not a secret, but the underside of days, recorded with obsessive precision. A daily struggle with material life and the passing of time.
Teenagers playing knights. They dream of a future far from their native village of Beauce. A loving and poetic glimpse of the young people and their surroundings, the French countryside. Julien prepares to leave his friends, his parents and the landscape of his childhood.
That evening, Victor, aged thirteen, does not want to go home. Also, ayoung woman, Sandrine, pushes away the the moment when she will find her lonely flat. Night is falling, in Orléans, shortly before Christmas.
1958. A twenty-year-old man leaves his native Algeria to make a living. Fifty years later, three teenagers and a big apartment overlooking a Parisian boulevard. At the corner of a room, a window, a face, come the films of Guy Gilles, traces, voices and images of an unknown work, out of tune with his time.
Henri is a middle-aged writer with fading inspiration who has published nothing worthy of note in years. Feeling increasingly misunderstood by his wife and four grown up deadbeat kids, he dreams of running away to start over again. Yet when he discovers an unattractive, bad-mannered dog in his garden, he decides to adopt him and both start developing an unexpected friendship that inevitably upsets Henri’s family and neighbors.