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Memories of the life and visions of the Balkan prophet Baba Vanga, who was predicted the future of human kind and the world up to its end in the year 5079. Baba Vanga, as an older woman, tells how she lost her sight but "began to see". Following an accident, ghosts of dead people came to her to reveal what would happen to the world. Some of her predictions actually happened, some didn't, and for many predictions time will show.
Partly paralysed by polio, Vlado is stuck in his flat and unable to take care of himself. His younger wife, Alma, helps Vlado with love and tenderness in all his daily life activities, never giving up hope that he will get better. But Vlado feels weak and humiliated, losing the motivation to exercise or take medicine. In spite of the love and intimacy between the couple, Vlado’s self-loathing causes him to reject Alma. Haunted by visions of a half-man/half-horse, Alma considers alternative ways to solve their situation. The Centaur appears in a dream and gets closer and closer to their reality, pushing events towards an extreme conclusion. Vlado decides to end his misery, to bury the dead part of his body and wait for a miracle. Alma’s love is challenged but she executes the simple ceremony with dedication. By dawn, the magic happens.
The experiment presents a cinematic poem to filmmaking and film itself. Directed by eleven filmmakers, all under the vision of Bela Tarr's 'film.factory', delving into what keeps us making films.
A world in lock-down. As a global pandemic unfolds, 13 international filmmakers pen cinematic letters from their places of isolation, whether home or far from home. A work of accidental science-fiction from the Bistrik7 collective, graduates of Béla Tarr's Sarajevo film.factory.
Daily routine of the public procurement agency in Bosnia-Herzegovina manned by terminally lazy socially awkward clerks with messy emotional lives.
After discovering a dead body in the National Museum, Inspector Edib and Mido are called to the crime scene. But the disappearance of the body and the hidden motives of the Museum lead them to a web of corruption and international crime.
Set during the Bosnian war in the early 1990s, Luka is a mild-mannered railway clerk whose life is turned upside down, not just by the outbreak of the war, but when his wife runs off with a local musician. Then Luka's son is conscripted and eventually captured in the fighting. To recover his son, Luka is commanded to guard a pretty young Muslim nurse who will be used in a hostage swapping operation.
In the period of WW2, in the town of Sarajevo, an owner of a tavern Hilmija must deal with a Nazi and run his business. The problem is that he is a coworker with Serbians, Croatians and Jews. That puts his business as well as his safety in danger.