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Babak is more than just an unemployed engineer living with his parents in his 20s. He possesses a supernatural sense of hearing, so strong he can hear through solid walls and over great distances. But Babak is not the only one with bizarre, unexplained powers. A group of extraordinary individuals begin to emerge and find each other. Will they learn to use their powers for anything other than their own selfish means? With experimental sequences and innovative camerawork, director Iraj Karimi takes a whimsical look at a band of youths brought together through their abilities, but bound by their lack of purpose.
Kaveh ( Mohammad Reza Foroutan ) and Aban ( Khazar Masoumi ), a young couple who fell in love with the heroes of our story, are foreshadowed by Bijan, Ali and Said looking for them for gardens such as Paradise of Idaho, and in this mysterious journey, we lay in layers Inside love.
A lonely wife is helping her hopeless husband who is living his last days of his life because of cancer . Romantic relationship between them plus having her mother in law around causing drama & surreal narration . Unfortunately we've lost our director because of cancer just a couple of months after finishing our project .
Pirzad's mother, in a telephone conversation with her, finds that she is detached from her husband, Pejman, she was informed that her son Behzad was arrested in student confrontations and he was looking for a solution. Pejman accompanies his son Septa and a woman named Bita going to the north. Cima is the sister of Homa, an environmental expert, on a journey and engineer Pirzad is hunting with his brother. Immediately following the arrest of Behzad, Sima reacts to persuading him to contact Pejman
Mahmood has recently become the tenant of a man and a woman house. His relationship with the owner of his house is not of the usual type...
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
During the uprising to overthrow the Shah's regime in Iran, protestors set fire to movie theatres to protest Western culture. Forty years later, four people decide to re-create the past by burning down a theatre.
After submitting his application to resign, a judge, Ata, seeks shelter in his family villa out of town. When his son, Farhad, a university student, is released from the prison, Ata experiences a cold reunion with the family while his wife, Giti, is filing for divorce. But a car accident, leading to the death of Farhad, and the paralysis of Giti, puts him in a game of concealing the truth from Giti and Vida, Farhad’s girlfriend – just as it has been constantly concealed since the time of the loss of another family member under the heavy steps of history in a country shaken by the public movements from time to time…
Clara and her two sons escape from her abusive husband with little more than their car and plan to start over in New York. After the car towed away, the family meets Alice, who gets them into an emergency shelter. While stealing food at a Russian restaurant called ‘Winter Palace’, Clara meets Marc, who has been given the chance to help the old eatery regain its former glory. The ‘Winter Palace’ soon becomes a place of unexpected encounters between people who are all undergoing some sort of crisis and whom fate has now brought together.
Reza, residing in the wilderness with his wife and son, lives a retired life and devotes himself to freshwater fish farming. A private company that has targets on his land is ready to do anything to force him to sell.