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An in-depth look at the lives and struggles of a fishing community living by the River Titas in Bangladesh after the Partition of India in 1947.
A selfless young woman, the daughter of a middle-class refugee family from East Pakistan, sacrifices her own happiness for her unappreciative family.
Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.
After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.
Set in 1950s Calcutta against the partition of India, the plot follows two rival factions born out of the divided leadership of the radical IPTA theater movement. Amidst their intense creative differences, a romance develops between two uprooted refugees, Bhrigu and Anusuya.
Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.
The film brings to the screen the determination of the common man of Bangladesh to stand up to tyranny and win his priceless liberty back.
Life and disciples of legendary Indian classical musician and teacher, 'Guru' of Pandit Ravishankar, 'Baba' Ustad Alauddin Khan.
The sole dream of Ramu, eldest son a family of migrants, and Uma to build a happy life together is burdened by a pile of obstacles on their way due to economic upheaval in post-partition Calcutta.
Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This is considered to be Ghatak's autobiographical film.