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João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.
I saw leaves that were moving. I thought: "It's a bird in its nest". I separated the leaves and looked; but there was no bird. The leaves continued to move. As I ran, faster and faster, I screamed. What moved the leaves? What moves my heart, my legs?
The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.
Two men talk by a window while they observe the neighborhood.
The image of a body that is not in front of the camera. The absence of an image. The presence of a body. The materiality of a dream that is impossible to remember when one wakes up. Someone falls in love. Someone searches for words. Someone moves. Someone falls, or flies. Everyone dances.
Employee exploited by her employer changes her life by winning the lottery.
Three families, in three different situations, have to deal with a sudden change in their lives, caused by a loss or a re encounter. Three mothers sing their love for their children while facing difficult times. A film about affection on the borders of painful happenings.
A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.