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Rescue bridge of the Tupinambá de Uruçumirim village, headquarters of the Tamoia Confederation until 1567, when it was destroyed in a genocidal operation, commanded by Portuguese led by Estácio de Sá, with the support of the Jesuits Manuel da Nóbrega and Anchieta, here founding the city of Rio de January. Testimony and contemporary point of view from Pajé Sapaim Kamayurá.
After assaulting a Hollywood film crew, a group of residents of a community in Rio de Janeiro decided to produce a film that would express the reality of Brazil - with the theme of Inconfidência Mineira.
Filming of the historical montage of Oswald de Andrade's play, where decadent millionaires, depraved children, corrupt and implacable capitalists are the characters interpreted by the Grupo Oficina, in a celebrated theatrical performance from 1967, fundamentally recorded in 1971 and released only in the 1980s.
In August 1979, during the military dictatorship in Brazil, a hunger strike that began at the Frei Caneca prison in Rio de Janeiro spread across the country, demanding the expansion of the Amnesty Law, which initially did not intend to include political prisoners who had committed homicides. To document this moment and strengthen the strike, the prisoners conceived and clandestinely produced the short film "Água, Açúcar e Sal".
The film chronicles both the life and work of Brazilian author and engineer Euclides da Cunha and a failed attempt at directing his biopic in the 1980s and 1990s. Footage from the unfinished film is included alongside archive and documentary material.
The documentary shows the Journey at the Brazilian Culture ICU and his death shortly after, along with its creator and morator, Gido Araújo. The film takes a journey through the 35 years of existence and resistance of the most important cinema movement in Bahia. The most prestigious filmmakers from Brazil and many others from different countries passed through the Journey, always keeping the motto in mind: for a more humane world.
A boy finds himself trapped in an empty space and tries, in vain, to communicate with the world around him. But his only form of communication is his flute, that seems to be unheard by anyone. Life passes through him in the midst of sadness and loneliness, where the empty space mirrors the feelings of a confused and angry being for not understanding the reason why he lost his freedom to live.