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Drama in which the love between Claude and Germaine is tested when Claude is falsely accused and Germaine's father doesn't approve of their relationship.
In 1912 Jasset turned from fantasy and spectacle to realism in making the first of two Zola adaptations, as part of Éclair's new series of social dramas. For Au pays des ténèbres, based on Germinal, he took his crew to Charleroi in Belgium to film in authentic locations, and although he updated the story to the present, he went to great lengths to recreate in the studio the detail of the actual mining galleries, exploiting the ability of film to be a recorder of contemporary reality.
Nick Carter, the famous detective, is ordered to prosecute the gang of Zigomar. Carter gets into various thorny situations but manages to escape every time, helped by Olga, a former girlfriend of Zigomar. Carter finally manages to trap Zigomar and Zigomar is arrested. However, Zigomar avoids going to court by apparently poisoning himself.
A sensational detective story, founded on the romance of Leon Sazie. The noted criminal who terrorized all Europe is shown in these three Zigomar reels in a dramatic and intense struggle for supremacy with Paulin Broquet, the celebrated detective, who takes the two in the most varied and finest resorts.
Protéa is the last film directed by Victorin-Hippolyte Jasset, one of the early film pioneers in France. The hero of this film is a female spy, an acrobatic Mata-Hari, played by his favorite actress, Josette Andriot, who wore a characteristic costume of a close-fitting black jersey, two years before Musidora achieved cult status with her similar appearance as Irma Vep. This final masterpiece reflects Jasset's popular style: rhythmic action, fantastic realism, rich visuals, an anarchistic philosophy, a disdain for psychology, and an attention to lighting that earned him the nickname “the Rembrandt of the cinema". Although Jasset died shortly after completion, the film had considerable success and Andriot went on to make four more films in the series with other directors.
In 1913 early French film pioneer Victorin-Hippolyte Jasset died abruptly at the age of 51. His filmography of about 60 titles includes all film genres but is today mostly lost. He was particularly interested in detective or crime genres and with series like Nick Carter and Zigomar he is considered as one of the creators of the serial. The spectacular siege of Jules Bonnot's Gang at Choisy-le-Roi near Paris on April 28th 1912 inspired Jasset to make this 'Bandits en automobile'. French audiences recognized immediately the resemblances with the actual Bonnot Gang, a reason for which the film was prohibited in many cities.
In 1913 early French film pioneer Victorin-Hippolyte Jasset died abruptly at the age of 51. His filmography of about 60 titles includes all film genres but is today mostly lost. He was particularly interested in detective or crime genres and with series like Nick Carter and Zigomar he is considered as one of the creators of the serial. The spectacular siege of Jules Bonnot's Gang at Choisy-le-Roi near Paris on April 28th 1912 inspired Jasset to make this 'Bandits en automobile'. French audiences recognized immediately the resemblances with the actual Bonnot Gang, a reason for which the film was prohibited in many cities.
In 1913 early French film pioneer Victorin-Hippolyte Jasset died abruptly at the age of 51. His filmography of about 60 titles includes all film genres but is today mostly lost. He was particularly interested in detective or crime genres and with series like Nick Carter and Zigomar he is considered as one of the creators of the serial. The spectacular siege of Jules Bonnot’s Gang at Choisy-le-Roi near Paris on April 28th 1912 inspired Jasset to make this ‘Bandits en automobile’. French audiences recognized immediately the resemblances with the actual Bonnot Gang, a reason for which the film was prohibited in many cities.