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Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists.
Shaun Greenhalgh and Dr Janina Ramirez research and remake a selection of precious objects from the past using traditional materials and methods.
Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.
Art critic Waldemar Januszczak delves into the heart of Mannerism, as he explores the development of the art style, examines its characteristics, and questions what it achieved.
Christianity slowly emerged from being a persecuted minority to the state religion of the Roman Empire. This episode is a history of the ways believers grappled with a way to depict Jesus. Simple symbolic meaning developed into splendid art and churches.
Manet is one of the main candidates for the title of the most important artist there has been. As the reluctant father of Impressionism, and the painter of Dejeuner sur l'herbe, he can probably be accused of inventing modern art. But his story is fascinating on many other levels. As a piece of compelling biography, Manet's is the unlikely tale of the stubborn son of the most highly placed judge in France who decides to become an artist and embarrass his father. The resulting family tensions are the stuff of legend. Then there was Manet's dramatic private life, including exotic romantic affairs and a particularly horrible death. Always cited as the father of the Impressionists, Manet stubbornly refused to show with them, and was careful to maintain an aesthetic distance from Monet, Renoir and the others. While they worshipped him, he looked down on them.
Art critic and broadcaster Waldemar Januszczak wrote and directed this examination of a man who was not only a great painter but sculptor, wood carver, musician, print maker, journalist and ceramicist. As well as telling the remarkable story of Gauguin's life, Januszczak also celebrates Gauguin's achievements and examines the various accusations of sexual misconduct, familial neglect and racism that are frequently made against him.
These days, nobody takes Rubens seriously. His vast and grandiose canvases, stuffed with wobbly mounds of female flesh, have little appeal for the modern gym-subscriber. And it's not just the bulging nudity we don't like. The entire tone of Rubens's art offends us. Everything in it is too big - the epic dramas full of tragedy, the fantastical celestial scenery, the immense canvases and murals adorning the walls and ceilings of Europe's grandest palaces. All of it seems too much for modern sensibilities. But Waldemar Januszczak begs to differ. In Waldemar's eyes, Rubens has been traduced by modern tastes, and a huge misunderstanding of him has taken place. By looking in detail at Rubens's fascinating life, by understanding his art in more enlightened ways, Waldemar sets out to correct the extra-large misconceptions that have arisen about Rubens.
Sickert vs. Sargent brings to life two of the biggest characters in modern British art; Walter Sickert - the gruff, aggressive man-of-the-people; and John Singer Sargent - the urbane and charming dandy. The film focuses on some of the most beautiful and alarming paintings ever made in this country; pictures of aristocrats and prostitutes, coronations and killings, opera houses and music halls, and will evoke the long-lost atmosphere of Edwardian London. But above all it will show that from their two outposts in Chelsea and Camden, Sickert and Sargent were waging a war whose legacy still haunts us today.
Art critic Waldemar Januszczak goes to Ukraine to see how Ukrainian art is being preserved in times of war.