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The Century (O Século) is both the documentary of a performance and the documentary of an allegory. Without a human figure in view, scraps, debris, and junk are thrown dramatically from one side of an alley to the other, and then a volley begins from the other side.
A family is sitting amid what is left of their home, their belongings piled up in the open air without shelter, while bulldozers shift piles of raw material with relentless aggression. A few moments later, members of the family walk away with whatever small items they can carry on their backs, while a worker prepares the ground for the erecting of a barbed-wire fence. The persistent sound of cargo trains haunts the visually stunning but despoiled landscape in a reminder of how money never sleeps.
Living in a temporary autonomous zone, the residents spend their days dealing with small lunatic plots, quixotesque farces and rimbaudian delusions.
The destructive character sees nothing permanent. But for this very reason he sees ways everywhere. Where others encounter walls or mountains, there, too, he sees a way. But because he sees a way everywhere, he has to clear things from it everywhere. Not always by brute force; sometimes by the most refined. Because he sees ways everywhere, he always stands at a crossroads. No moment can know what the next will bring. What exists he reduces to rubble – not for the sake of rubble, but for that of the way leading through it.
Slowly we recognize traces of a couple's history. Joana, living isolated in an apartment between books and mysteries searching for an "ideal world" and Jota living on the streets searching for a confrontation with the real and trying to give back the final word to the "other"..
In an old, dilapidated mansion in downtown São Paulo, an old Shakespearean actor exiled from the stage lives with his ghosts. In his bed, surrounded by red curtains taken from an abandoned theater, he dreams of the plague and fire spreading throughout the country. A strange community forms around the old actor.
Gerluce became pregnant as a teenager and, just like her mother, Lígia, she raised her child alone. Now, Gerluce watches her daughter Joélly become the third generation of the family to go through the same situation. Besides the impact that teenage pregnancy brings to the whole family, the three Marias das Graças must deal with Lígia’s worsening health.
Based on the acclaimed short film. 702 tells the story of a confused young woman is mugged by two first timers. They have bigger plans in which she is involved. The Journey brings her an incredible opportunity for revenge.
A former porn director, who once elevated the genre with 1960s counter-culture ideals, returns to filmmaking after 20 years, clashing with his producer's hard-core vision. Estranged from his son over the family business, they begin reconnecting as the son embraces political activism, while the director seeks personal renewal.
In a rainy Brazilian city, an amnesic man is taken in by a lonely clickworker at a course for people with a strange neurological syndrome. After using an addictive AI device, he embarks on a tragic and absurd journey to find where he truly belongs.