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A film in three movements. In the first one, we find a historical synthesis of Brazilian architecture, from the slaves' dwellings to the Ministry of Education Building. In the second segment, architects such as Burle Marx, Lina Bo Bardi, Grigori Warchavchik and Joaquim Cardoso talk about architecture's social function. In the third movement, inhabitants of some Brazilian cities discuss the space they live in.
Carlos Zanata, an exemplary family man, is unexpectedly arrested on Christmas Eve. As the family falls apart, his wife Maria faces everything to discover the truth.
According to an amazonian legend, every month, during the full moon, a brazilian fishing village receives a mysterious guest: the Dolphin, who transforms into a human to seduce and be loved by women and hated by men. One of her conquests is the daughter of a fisherman, who has a son with the Dolphin. He constantly reappears to seduce her, and even when she marries, he continues to look for her. This provokes the ire of the husband, who wants to kill him anyway.
In the 19th century, a country girl is seduced by a young doctor who's staying at her house for a few days, caring for her, and tries to hide the forbidden romance from her father, who disapproves of the relationship.
After years lost in a ingrate job, Hugo decides to take a drastic measure: to compensate for the time he lost, he will rob the bank in which he worked all his life. Everything goes well in the execution of the plan, but the appearance of the firm's cleaner can put everything to waste.
A TV reporter accidentally finds, in the subway's Lost and Found, a love letter addressed to a woman, written more than fifty years ago.
During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.
Laura makes spooky observations as soon as she starts her job as a teacher for two orphan students at a plantation. She concludes that it has something to do with the former caretaker and his romantic partner.