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While riding on horseback with fellow actor Bill Demarest near the vast Irvine Ranch in Southern California, Jimmy Stewart pauses to explain that Irvine will be the location of the 1953 Boy Scout Jamboree.
Part of the Crime Does Not Pay short series.
Fearing that his recently-acquired step-mother, Ann Dennis, is competing with him for his father's affections, and saddened by the death of his dog, young Danny Mitchell seeks consolation in the companionship of a ferocious, Nazi-trained police dog, Rusty, brought to the U.S. by a returning WWII-veteran. The step-mother, with tender understanding, eventually wins Danny over while Danny pacifies his new dog.
Explores the concept of texture in our environment and how it is perceived through our senses, particularly touch and sight. The film describes texture as the surface quality of objects, which can range from smooth to rough, shiny to bumpy, or any variation in between. It emphasizes that every surface, including the Earth and living things on it, has its own unique texture.
The art of mixing color is shown in a visual presentation.
A police psychiatrist is enlisted to catch a killer.
This film explores the fundamental role of rhythm and movement in art, drawing parallels between natural phenomena and artistic creation. It demonstrates how artists utilize various elements like line, color, light, and form to evoke a sense of rhythm and motion. Through examples from different art forms, including painting, sculpture, architecture, and film, the transcript highlights techniques such as repetition, alternation, and accent to create dynamic visual experiences that engage the viewer's eye and imbue static works with life.
1940. Sixteen year old Phillip is one of a number of amateur radio operators across the US, doing it purely as a fun hobby. He is informed by Bill Beck of the Radio and Intelligence Division (RID) of the Federal Communications Commission (FCC) that amateur international radio communication is now banned due to spying a result of the war in Europe. Beck, on behalf of the RID, asks Phillip, however, to continue to monitor the airwaves for suspicious activity.
The relationship between human emotions and the art created is illustrated by a selection of artistic works which span all periods of history and a variety of subjects. Shows ways in which artists use many materials and methods to translate their personal feelings into visual forms: murals, landscapes, portraits, posters, billboards, abstract paintings, cartoons, pop art, sculpture and motion pictures.
Designed to create a heightened awareness of color in our environment. Avoids theoretical analysis, emphasizing instead the sensuous and emotional appeal of color and its power to influence vision and feeling. Features an avant-garde auto harp soundtrack by Werner Bracher.