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After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.
When an accident temporarily robs her of her voice, Diva J flees to a small deserted village to heal both her mental and physical wounds. Her life changes when she meets and falls in love with the blind Hu Ming, who inspires her to make a comeback. But, in her absence, a new diva has risen.
A pair of lovers, one of whom is a humanoid, go to a robot repair shop hoping to have their relationship mended by the mechanic. On his advice, the human owner Jackie agrees to an irreversible upgrade for Tammy, her humanoid soulmate. However, the results are not as expected. Tammy meets Anima, a fellow humanoid, setting in motion a series of events in a tango between the intangible sense of love, the harsh reality of possession, and the price of independence.
An omnibus of 4 short stories, each of them occurring in different corners of our society, but all of which encompass the same themes: courage, determination, pursuance and hope.
Hung, a 40-year-old security guard of a commercial building, lives in a cramped sub-divided flat with his wife, Ping, a part-time waitress in a Cha Chaan Teng, and son, Pak Yin. Amidst all the struggles for affordable accommodation, Hung never succumbs and hopes they will eventually move into a public housing unit. Yet, the lives of three get even rougher when Ping finds herself pregnant while they are being forced to leave but unable to find a new flat. Meanwhile, Pak Yin chooses to endure silently for the sake of his parents. Trapped in such a vicious cycle, are love and companionship the way to resolve?
The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity
Four short films by four Hong Kong directors.
It is over between “her” and “him”, and she soon starts over with another “him”. It turns out “he” has another “her". It starts, it ends, it starts all over again. It is not just you and me in a relationship, there is another s/he involved. So anyone can be the third party.
“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.