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Director Zhang Junzhao's superbly tense revisionist war film (featuring striking cinematography from future Fifth Generation standard bearer Zhang Yimou) is widely considered to be the first work of Mainland Fifth Generation cinema.
Remnants of Taiping Rebellion plan and carry out an assassination aimed at a traitor.
On a cold night, psychology student Liu Kai took Jing Huan, a paranoid schizophrenia patient, to a mysterious frozen lake she had often dreamed of. The lake reflected an “8” shape, causing Jing Huan’s expression to change, unsettling Liu Kai. During an internship at a psychiatric hospital, Liu Kai’s classmate Xie Ni, who was in a relationship with him, became interested in Jing Huan, a former factory cashier who developed mental illness after embezzling funds. Xie Ni wanted to study Jing Huan’s condition for a thesis and asked Liu Kai to help her, even arranging for Jing Huan to stay at her home.
Adapted from the classical 14th century novel of the same title by Luo Guanzhong, Romance of the Three Kingdoms is part historical, part legend, and part mythical – romanticises and dramatises the lives of feudal lords and their retainers, who tried to replace the dwindling Han dynasty or restore it. The focus is mainly on the three power blocs that emerged from the remnants of the Han dynasty, and would eventually form the three states of Cao Wei, Shu Han, and Eastern Wu.
In 208 A.D., in the final days of the Han Dynasty, shrewd Prime Minster Cao convinced the fickle Emperor Han the only way to unite all of China was to declare war on the kingdoms of Xu in the west and East Wu in the south. Thus began a military campaign of unprecedented scale. Left with no other hope for survival, the kingdoms of Xu and East Wu formed an unlikely alliance.