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A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.
The Blocher Experience tells the story of Switzerland’s most controversial political leader. It also chronicles the face-to-face encounter between a film-maker and a man of power, through a year of exclusive, up-close interviews and access to his private life.
Geneva, April 2015. In the hushed corridors of a luxury hotel, high-tension international negotiations get underway between the United States and Iran, suspected of secretly developing the atomic weapon. Alexandra Weiss, head of the Swiss diplomatic mission, is trying to maintain a fragile balance between the parties operating behind the scenes. The unexpected arrival of her former love, Payam Sanjabi, an Iranian engineer whose life is under threat, will complicate her task dangerously...
Set within the confines of this exceptional construction site, the film paints a portrait of a miniature society, driven by a common goal: to build cinemas for the next century. From the architect to the journeymen carpenters, from the site manager to the head of the Pathé group, from the designer of the speakers to the future projectionists, the film paints a vivid portrait of this society at a human level.
Is it possible to replicate the human brain on a computer? To connect it to machines? Research aimed at understanding the functioning of our biological brain is being matched by spectacular progress in the development of artificial intelligence.
Riyad and his friend Zaïd leave their estate near Lyon and go to Switzerland to steal two luxurious cars for the account of Chérif, the thug ruling their area. Yet the journey goes wrong. Hunted, Riyad sinks into the mountains to escape the police. The hunt continues in the heart of a lost, hostile valley, in which Riyadh desperately seeks a way to return to France.
It is April 1974 and Julie Dujonc-Renens, young feminist journalist and the cunning Joseph-Marie Cauvin, leading reporter for the Swiss radio, have been sent to Portugal to investigate Switzerland’s aid to poor countries. Sparks fly during the bus trip with Bob, sound engineer approaching retirement. The projects financed by Switzerland prove to be calamitous and the workers’ revolution that suddenly breaks out doesn’t help, obliging our heroes to disregard first the radio’s management, and then their own codes of conduct.
On 11th January 2008, hired by the City of Cleveland, lawyer Josh Cohen and his team filed a lawsuit against 21 banks, which they held accountable for the wave of foreclosures that had left their city in ruins. Since then, the bankers on Wall Street have been fighting by with all available means to avoid going to court. This film is the story of that trial. A film about a trial that may never be held but in which the facts, the participants and their testimonies are all real: the judge, lawyers, witnesses, even the members of the jury - asked to give their verdict - play their own roles. Step by step, one witness after another, the film takes apart, from a plain, human perspective, the mechanisms of subprime mortgage loans, a system that sent the world economy reeling. A trial for the sake of example, a universal fable about capitalism
After the fall of the Berlin Wall, the Bern Federal Police revealed they had been keeping activists from far-left groups in Western Switzerland under surveillance for years - among them, Claude Muret. In his first film, Jean-Stéphane Bron deploys a humorous and affectionate gaze to chronicle the story of these ex-“cops and outlaws” who come from a generation marked by clashes… of ideology.
After CLEVELAND VS. WALLSTREET, the director dived into the universe of the Opéra national de Paris to film his documentary about this major centre for musical creation. During this shoot, he met Philippe Jordan, musical director of the Opéra national de Paris. “Filming Philippe Jordan is like a waking dream. He occupies the frame, he bursts from the frame, he is simultaneously totally present in the music, and elsewhere, connected to some invisible forces,” says the filmmaker about the conductor, whom he was able to film close up during rehearsals for Gustav Mahler’s Ninth Symphony. This invisible aspect is what the camera explores in this short film: by focusing on this piece in particular, entirely given over to listening and immerged in the very heart of creation, Jean-Stéphane Bron reveals a fragment of work that we imagine to be titanic, and allows us to see and to hear, in a whole new way, a work whose interpretation is profoundly marked by silence.