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The Austrian artist Maria Lassnig tells us the story of her life in 14 verses, beginning with her birth and ending with her life as it is today. Simultaneusly - in the background - we see the story as animated drawings, full of irony, humor and wisdom.
A conciliatory review of the life of the author using the techniques of animated film. In 1972, Selfportrait received the award of the New York State Council.
A short film by Maria Lassnig.
A short film by Maria Lassnig, shot in 1970.
Shot in New York in the mid-1970s, Maria Lassnig's Alice is an unconventional portrait of the titular woman, with footage of her body accented by superimposed fireworks, Händel, and Lassnig's laconic voice-over.
A short film by Maria Lassnig, shot in the early 1970s.
In an associative montage statues of saints in rigid and rapt poses are cross cut with those of real actors until the two can no longer be told apart. Gradually the real bodies break away from the constraints of their wooden models through increasingly improvised dance. A successful act of liberation from (Catholic) convention, which the material celebrates in an acstasy of multiple exposures and psychedelic colors.
Rough cut by Maria Lassnig. Color correction and final cut completed posthumously by Mara Mattuschka and Hans Werner Poschauko in accordance with Lassnig’s notes from her notebook on film, “Yom Kippur, 1970s.” Soundtrack: Jean Sibelius’ Symphony No. 7 in C major, Op. 105 from the artist’s own music collection.
A short film by Maria Lassnig, shot in 1970.
A short film by Maria Lassnig, shot in the early 1970s.