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Singapore is a football nation. Every weekend, thousands of amateur players, from schoolboys to office executives to retirees, gather to play the Beautiful Game. Not for glory, not for fame; but for passion, football and friendship. This spirit is forged in the neighbourhoods; void decks, street soccer courts, open fields or any patch of grass. All across Singapore, footballers have a place they call their ‘Homeground’. For the first time, this football culture is captured on film. Homeground is a love letter to playing spaces we call home, and a tribute to all amateur footballers in Singapore
Tak Giu is a cult film about soccer culture in Singapore. Having taken up the challenge of a friendly match, three soccer-crazy boys realize it is not easy to find a good, free public soccer field in Singapore, if there’s any at all. Through their journey they encounter obnoxious caretakers, locked-up fences, hot weather and a persistent policeman. Will they find their dream pitch?
An eccentric old man starts preparing for his funeral after he has a vision that he will die in 7 days. When his granddaughter is forced to look after him, they form an unexpected bond during their journey to complete his bucket list.
Film-maker wannabe, Ah-Tan is sick of his day job. Join Ah-Tan on his way to work one day, as he discusses and pokes fun at local film and music, while plotting his path to become Singapore's next great director.
When the wrong body has been sent for cremation, a hapless funeral director has to make amends to the deceased's estranged children. As he devises a plan for a sham funeral, the children's hypocrisy and apathy begin to surface.
A romance between two opposites, Eating Air follows the lives of two teenagers during the hottest month in the history of Singapore. For Boy, breaking into bridal shops under the moonlight is as wildly exciting as Girl on her first motorcycle spin through the binding fluorescent tunnels of the CTE. About the joys and pangs of teenage love, Eating Air seeks the delirious madness that makes 18-year-olds invincible to low fuels, fists and oil-puddles on the road.
Four people from Singapore die on the same day and return to Earth as ghosts.
A kindergarten principal finds a series of morbid cartoons drawn by a docile pupil. A porn actor struggles to rise to the occasion while filming his first porno. A middle-aged nightclub bouncer faces off with a rebellious teenage stripper. Director Ken Kwek tells three iconoclastic stories in a short film that pitches political correctness out the window of Singapore mainstream cinema.
A theatre usher looks for love and finds it in a library book. A cop chases a killer only to wind up at the end of her own gun. A pulp-romance writer confuses fact with fiction and learns that true love comes only after a great loss. The stories that flows from this ebb of desire to find true love leads us various stories that will be amalgam of time, space, consequences and fact and fiction often are not easily identifiable.
A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.