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A cheetah runs away from a fair and steals Belgium's national symbol: Manneken Pis.
A hobo takes revenge to a miller who didn't give him something to eat.
Kaatje, the daughter of the miller Schoonejans, and Jef, a little shepherd, who live near Delft, are happy together. In a floral parade, the carriage the two children have decorated with tulips wins the first prize. The next day, during a thunderstorm, lightning destroys the mill and kills Schoonejans. A life of misery starts for his widow and daughter. Remembering how the theatre manager Boolmans had applauded the dancing of Kaatje and Jef at the floral parade, the widow takes her daughter to Amsterdam, where Boolmans engages Kaatje. The years pass, and Kate has become a famous dancer.
Since a mysterious stranger and his servant settled in a manor near a Provençal village, a wave of crimes has beenfall the country and spread terror among the inhabitants. Young Jean Lormeau, refusing to give in to fear, leaves to meet the disturbing owner to discover his secret.
On instructions of the French company Pathé Frères, Alfred Machin develops a film industry in the Netherlands and Belgium from 1912 to the advent of World War One. He directs several quality films including La Fille de Delft, Maudite soit la Guerre and this wonderful gem Le Diamant Noir. A man is accused of theft and decides to quit the country. Machin's favourite pet, the panther Mimir shares the lead roll in this film with a magpie.
Johanna loves poor farmer Joachim, yet marries the wealthy miller. One day, Joachim visits Johanna when he is away. When the miller finds out, he takes revenge.
An army pilot is visiting the home of another army pilot in a neighboring country, and falling in love with his sister, when war breaks out.
Commissioned by Pathé Frères, Alfred Machin shoots several local stories in Belgium, in a typically Belgian setting. Machin produces not only historical dramas, but also some comedies mainly portraying the Brussels "zwanze", the typical humour of the city's inhabitants, which is characterised by a finely-balanced mix of self-deprecation and exaggeration. In doing so he made his films accessible and recognizable to his audience. Mr Beulemeester, notorious member of the local militia and very possessive when it comes to his daughter, is in this film fooled by charmer and suitor Van Soest.
The relatives of wealthy, unmarried and slightly eccentric uncle James are all after his money -except his nice Ginette. She brings him to adopt two war orpahns and shows him, how his other relatives raely "love" him. But suddenly the orphans' father, a Lieutenat stands at the door of the house.