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After his victory over the Ottomans, Othello, the Moorish general of the Venetian armies, secretly married an aristocrat, Desdemona. As for Iago, Othello's loyal officer, he is disappointed at not having received the promotion he had hoped for. His revenge takes the form of treacherous plots that lead Othello to believe Desdemona is unfaithful. Othello then literally descends into madness, precipitating the protagonists towards a tragic and bloody end.
Natalie Dessay made her first European appearances as Violetta in La traviata in a new production by the French director Jean-François Sivadier at the 2011 Aix-en-Provence Festival. This DVD captures her intense performance in the company of American tenor Charles Castronovo as Alfredo and French baritone Ludovic Tézier as his father, Giorgio Germont.
"This is Vienna State Opera live at home". March 2015.
What is this flame that compels Don Giovanni to seduce, subjugate and conquer women one after the other, with the fervour and cold indifference of a predator securing his prey; to pursue through his conquests some obscure and ever‑elusive objective? For his second collaboration with Da Ponte, Mozart was to brand the history of opera with a hot iron and forever haunt European culture. In this Libertine Punished, Kierkegaard invites us to hear “the whisperings of temptation, the whirlwind of seduction, the silence of the moment”. The Mozart-Da Ponte cycle continues with a Don Giovanni entrusted to director Ivo Van Hove. In the wake of Boris Godunov, the director, accustomed to examining the political meaning of works, presents his second production for the Paris Opera.
Philippe, an opera composer in search of inspiration, is forced to take in Simone, his rebellious, eccentric niece whose best friend is a skunk. Despite their diametrically opposed personalities, Philippe and Simone quickly discover that they may need each other more than they first thought.
It’s a busy day in the manor house as the staff prepare for the marriage of the wily valet Figaro and his quick-witted fiancée, the maid Susanna. But the head of the house, Count Almaviva, wants Susanna for himself—and he’s used to getting his way. With the help of the slighted Countess, Figaro and Susanna work to turn the manor upside down in order to exchange their holy vows of matrimony.
Berlioz’s whimsical and nostalgic take on Shakespeare’s great comedy Much Ado About Nothing graces the stage of Glyndebourne in Laurent Pelly’s astute 2016 production. Italian maestro Antonello Manacorda leads the London Philharmonic in Berlioz’s brilliant score.
This release from Erato consists of highlights from the live concert of April 15, 2017 in the city of Strasbourg in eastern France. A magnificent cast of singers, predominantly Francophone, assembled under the baton of John Nelson, an acknowledged master of Berlioz’s music who has conducted Les Troyens more frequently than anyone else over a period of more than 40 years; he made his name with the piece when he led performances at New York’s Metropolitan Opera in 1974 and enjoyed great acclaim for a production at the Frankfurt Opera shortly before the Strasbourg concerts.
A bohemian artist travels from London to Italy with his estranged son to sell the house they inherited from his late wife.
Leo and Angela Russo live a simple life in Queens, surrounded by their overbearing Italian-American family. When their son finds success on his high school basketball team, Leo tears the family apart trying to make it happen.