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Two mysterious men dressed in black and with cigarettes dangling from their mouths drop a large, presumably heavy (since it takes two to carry it) package off on a doorstep and walk away. When the home’s owner returns he drags the package inside, then goes about doing a few more activities before deciding to finally open it. Upon removing the paper, he notices it’s a large steel barrel. Using a blowtorch, he gets the lid off and sees it’s full of oily water… but rising out of the water is a nude, voluptuous, smiling woman, who immediately starts to entice the man by massaging her breasts. Naturally, being in a barrel for who knows how long, she needs to get cleaned off and hops into a bubble bath. While she’s lounging in the tub, the man gets into bed, lights a cigarette and starts to remove him clothes in anticipation. We get to see fantasies from both the man and “the fairy.” —The Bloody Pit of Horror
A bourgeoisie client is transformed into a mouse and cannibalized by a prostitute in flagrante delicto with the camera changing focus in time to her breathing.
"The greatest danger of the sin of gluttony is that it leads us to the sin of lust." (Sister Sourire) An insatiable glutton faced with succulent delicacies.
A woman and a cactus who wants to fuck...
A film by Roland Lethem
Marilyn’s shine flickering into your eyes, Marilyn’s mind melting into your mind, Marilyn’s heart beating inside of your chest,…if you so wish. – R.L.Before you start the film please light a candle and after stopping the film, please blow it out. Should the candle accidentally stop burning, do not light it anew: it means that the performance is over.
An actor on screen insults the audience. How will spectators react?
Clairvoyant Medium on the tracks of Jules Vernes steps towards the Center of Earth.
A surrealist saga in four parts: 1.) The credit sequence in which title cards show successively larger foetuses pulsating on the screen until the baby is born and cries. 2.) Etoile-directly referring to Cocteau, Lethem shows an adolescent sucking a starfish and then giving birth to a smaller starfish. A statement of inadequacy. To give birth involves an emasculation and a loss of vitality. 3.) Corps-two images of a man on a couch groping for each other, watched by a mysterious peeping Tom. As the two superimposed images come together, the heavy breathing subsides…the statement that the birth of desire is a self – realisation. 4.) Hymen – The decaying body of a girl is shot through green filters, and the final image reveals her vagina crawling with maggots and overlain with a crucifix. A representation of Catholicism preventing the free expression of desire.
Who wants to go to bed with Lili?