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The definitive adaptation of all twelve Miss Marple novels, starring Joan Hickson in the title role and featuring one of the all-time TV themes, composed by Ken Howard and Alan Blaikley. The series was produced by George Gallaccio, written by T. R. Bowen, Julia Jones, Alan Parker, Ken Taylor, and Jill Hyem, and co-stars David Horovitch and Ian Brimble as officers Slack and Lake. Over the course of the series it also features John Castle, Joan Sims, Sylvia Syms, Samantha Bond, Peter Davison, Timothy West, Tom Wilkinson, Paul Eddington, Cheryl Campbell, Maurice Denham, Donald Pleasence, Sophie Ward, Jean Simmons, and Joss Ackland.
The residents of a quiet English village begin to receive nasty, threatening letters. The wife of the local vicar calls in her friend Miss Marple to investigate.
A clerical error leads to the appointment of a left-leaning small-town priest to a rich village, where he immediately horrifies his snobby parishioners by appointing a dustman and a black man as vicar's wardens and throwing open the vicarage to the sprawling, disreputable Smith family, who have just been evicted from their caravan site. He converts the dowager aristocrat to works of absurd charity but he soon has the town and much of the country in uproar.
TV personality Robert Danvers, an exceedingly vain rotter, seduces young women daily, never staying long with one. He meets his match in Marion, an American, 19, who's available but refuses any romantic illusions.
Young newlyweds Arthur and Jenny Fitton want nothing more than to get their marriage started on the right foot. But before they can depart for their honeymoon in Spain, they have to spend their first night together at the home of Arthur's parents. The couple are prevented from having any intimacy, but it only gets worse. They find out that their trip to Spain is canceled, which sets the tone for a rocky few weeks.
A featureless land fit only for war, as the narrator, J. L. Hodson stated in the early scenes: "If war was to be fought then let it begin here". In endless miles of rock-strewn scrub desert, where civilians hardly existed. Desert Victory tells the story of the Allied campaign to drive Germany and Italy from North Africa is analysed, with the major portion of the film examining the battles at El Alamein, including some re-enactment. Won "Best Documentary Feature" at the 16th Academy Awards in 1944.
David Charleston, once a world renowned journalist, now lives alone maintaining the Thunder Rock lighthouse in Lake Michigan. He doesn't cash his paychecks and has no contact other than the monthly inspector's visit. When alone, he imagines conversations with those who died when a 19th century packet ship with some 60 passengers sank. He imagines their lives, their problems, their fears and their hopes. In one of these conversations, he recalls his own efforts in the 1930s when he desperately tried to convince first his editors, and later the public, of the dangers of fascism and the inevitability of war. Few would listen. One of the passengers, a spinster, tells her story of seeking independence from a world dominated by men. There's also the case of a doctor who is banished for using unacceptable methods. David has given up on life, but the imaginary passengers give him hope for the future.
A British naval officer has a brief affair with a woman in England and never knows that she bears him a son. 20 years later the boy is on a ship under his command when he is tracking a German Raider. When the boy is captured after his ship is sunk, he finds a way to slow the German's progress while a lethal hunt for him goes on.
In this comedy, set during the Nazi occupation of France, Peter Sellers plays most major male parts, so he stars in nearly every scene, always bumbling in inspector Clouseau-style.
Men from Scotland Yard and military intelligence build a dossier on a sabotage ring.