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In 2006, To Catch a Predator host Chris Hansen sets out to make television history.
When the ailing king of America's largest renaissance festival declares his retirement, an epic power struggle ensues between an actor, a former elephant trainer, and a kettle-corn kingpin to claim his throne.
Three men enter the new wild west of baby making, online forums where sperm donors connect with hopeful parents, but find themselves exchanging more than just genetic material.
In a lawless no man's land at the edge of The Florida Everglades, society and all authority has abdicated its responsibilities. A huge vacuum consisting of underground criminal activities has filled its void. What began as an attempt to spotlight the disturbing phenomenon of dogs being dumped in the Everglades quickly turned into a controversial story of societal neglect, economic despair, morality and self-fulfillment.
"A week before he passed away, my grandfather shared with me his former aspirations of becoming a filmmaker. After many trials, a narrow escape from the Nazis and immigration to the United States, the dream slowly but surely came true. surely passed out. After his passing, I discovered a treasure trove of dust-covered 8mm film archives that had apparently not been seen by anyone for at least a generation. Mesmerized, what unfolded before me was something something most people, myself included, had never seen before: the development and complete decline of the human body and mind. Motivated by my grandfather's unrealized cinematic dreams, I decided to reconstruct a film that he had already made involuntarily." Lance Oppenheim
Behind the gates of a palm-tree-lined fantasyland, three residents and one interloper at America’s largest retirement community strive to find happiness.
To beg for leniency, defense attorneys are producing entire documentaries for an audience of one: the judge.
An airport parking lot in Los Angeles has become an improvised village of airline workers.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.