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On the beaches of Kenya they’re known as "Sugar Mamas" —European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise, moving from beach to beach.
Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed.
In 1750 Austria, a deeply religious woman named Agnes has just married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking act of violence seems like the only way out of her inner prison.
Vignettes of the lives of several residents of a Vienna suburb during a heat wave.
For Anna Maria, paradise lies with Jesus, and she devotes her time to door-to-door missionary work. One day after years of absence, her husband, an Egyptian Muslim confined to a wheelchair, comes home—and soon prayers are replaced by fighting.
In conurbations where hundreds of thousands live alongside one another, in the era of a highly technological society, in which communication has never played such a significant role, man has become lonely. Disappointed by his fellow human beings, he turns to animals. Dogs and other domestic animals serve him as companions, life partners, cuddly objects and bedfellows.
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Her mother in Kenya, 13-year-old Melanie spends her summer vacation at a strict diet camp set in the Austrian countryside. Between workouts and nutrition classes, pillow fights and first cigarettes, she falls in love with a doctor 40 years her senior.
Richie Bravo, once upon a time a successful pop star, chases after his faded fame in wintry Rimini. Trapped between permanent intoxication and concerts for busloads of tourists, his world starts to collapse when his adult daughter breaks into his life.
In Rimini (2022) and Sparta (2022), Ulrich Seidl followed the lives of two brothers, Richie and Ewald, respectively. The former is a crooner long past his prime yet still beloved by hordes of late-middle-aged female fans who can also buy his sexual attention; the latter is a technician living in Romania and wrestling with his pedophile desires. These two tales were supposed to be told in one film – and now they finally are! The result offers a staggeringly different experience of the narrative(s). It's far more cerebral, above all a work of ideas.