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In Gansu, north of China, two families talk about their ways of living in the farm: since nomadism until today's commerce, animal husbandry and industry. Narrated by the filmmaker's own voice, this short film provides a personal point of view about, not only the Yugur's idiosyncrasy, but also about part of the Chinese history, and takes by leading character one of the most grassland's representative animal: the sheep.
After a devastating breakup, Vicky, almost 40, embarks on a quest for new love, unaware it will lead her to a profound—and hilarious—self-discovery.
Two female producers are commissioned to create a short documentary for an exhibition dedicated to Rubén Santantonín, an elusive figure of the Argentine avant-garde who died very young, in the late 1960s. However, the client imposes one unexpected condition: the video must be made together with David Lamelas, Santantonín’s former collaborator and today an internationally recognized figure of conceptual art. At first, the plan seems clear and limited in scope: Lamelas, accompanied by a young film crew, gathers archival materials, documents the few surviving works, and interviews curators and major artists – such as Luis Felipe Noé and Marta Minujín – who, along with Santantonín and Lamelas, peopled the legendary scene at the Instituto Torcuato Di Tella. Lamelas gradually realizes that reconstructing the story of his friend also means confronting a series of gaps and contradictions.
A lonely archive worker’s monotonous routine gives way to hallucinations that spiral from sensuality into paranoia, as a deadly presence begins to hunt her through the corridors.