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Three young freshly educated pilots are about to start their career.
Main character Esther feels like she doesn't fit into the 'elite' and takes the big showdown with those who always have.
Gerd, considered a woman of dubious morals, falls in love with a boy whose family does not accept their relationship, so both run away and settle in a cabin in the woods where they meet a sullen man who tests their love.
This is a light comedy from Edith Carlmar, Norways first woman director. It takes place in a company that sells baby toys. It is time to fill a leading position, and it is known the owner of the company only places married men on leading positions. This leads a young bachelor to "borrow" his best friends wife to have a chance at the position. This leads to a lot of comic misunderstandings, not the least because the owner of the company himself falls for the new young wife.
In "Skadeskutt" we follow the couple Einar and Else Wang in a painful drama about love, happiness, sorrow and eternal damnation. About a couple's struggle trying to get pregnant and the despair of not succeeding. About psychological disorders and the society's insane judging of people with such problems. A nationwide press was impressed with "Skadeskutt". The director Edith Carlmar, one of the first female directors in Norway, was compared with Hitchcock for her work. For actor Carsten Winger, his portrayal of the character in the movie was considered a victory and a big achievement. "A sure success", "Impressive" and "A victory for Norwegian Films" are some lines from the critics. "Skadeskutt" is one of the breakthroughs within Norwegian film making.
An engaged mechanic begins a tempestuous affair with a rich married woman.
A man falls in love with his young French language teacher. It becomes a complicated love story when his class mate Karin also begins to fancy her.
From the time the island of Langåra was a summer home for Oslo's population. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.
The young wife of an upper-class academic disappears while her husband is on holiday. In his search for her, the husband learns that there was much he did not know both about her past and about their relationship.