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An actress goes to Azores to take part in the theatrical tour of The Tempest and on her arrival she finds no one from the company, there is not even a theatre. After meeting Ariel, the actress discovers that the play has already started, the whole island is a theatre and its inhabitants are characters.
This work focuses on the representation of a state somewhere between life and death. It is proposed as a place where there is a loss of consciousness. The death has just reached us and our body is drained of life. This crucial instant in which our existence comes to an end, is what we try to capture in their flight. The light of life through us and let us inert. We are in a timeless, ethereal and volatile place.
We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.
We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.
Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, we will accompany a soul in its transit from one body to another through the bardo.
An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.
In the Philippines, a man named Denis suffers a severe accident after stealing a magical rooster. Following the incident, he is thrust into an enigmatic space where he is presented with possibilities about his existence, the afterlife, and why people cling so desperately to life.
The HADAL project, that includes SOL ROJO (Red Sun), is an immersion into the oceanic abyss.
Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.
Active, interdisciplinary reflection on the heritage (material and immaterial) of washing houses (lavadoiros) as spaces linked to housework and to women-only social relationships.