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The pragmatic, reserved and refined Maigret investigates murders in his singular unhurried manner and inevitably discovers the truth.
In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule.
A homeless young man, living in his delivery truck, is simultaneously adopted by a pranksome group of youngsters and made into a police informer. Believing that he is doing something good both for the other kids and for himself, he has no qualms.
Young Martin has been acting strange. At his school, his teacher and classmates notice that he is less talkative and more withdrawn. When those around him begin to prod, they discover that Martin’s single mother has died. Fearful that he will be sent away from home now that he has no parents, Martin looks to his friends for help. With Jerome leading the charge to save Martin from the orphanage, the first thing they decide to do is dispose of the mother’s body.
Divorced parents are concerned about the behavior of their teenage son who is rebelling against society.
On an island, clones are secretly raised.
Everything points to Sébastien, 13, as his father's murderer. With the help of his trusted friends, he uses every stratagem to stay hidden while proving his innocence. But the adult world has other ideas, and under abusive pressure he comes to sign a confession of murder. But, due to Seb's half-sister, the story may not quite be over.
When 12-year-old Tonin's teacher announces that he is looking for volunteers to house one of several orphan African refugees for a month during their visit to Paris, the exuberent, well-meaning youth immediately offers his own abode. His classmates cheer and he feels happy until he broaches the subject with his parents. Daniel, the boy's father is delighted by his son's humanitarianism, but still says no. Not wanting to lose face at school, Tonin decides to take the visitor anyway and just keep him hidden for the next few weeks. This family-oriented French comedy follows his efforts to keep his new African guest, Moussa, a secret.