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Anthology crime series penned by some of the foremost contemporary Italian noir writers (Camilleri, Faletti, De Cataldo, Carofiglio, Lucarelli, Fois...)
A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.
Story about two brothers and their wives, and the interactions between them and their two high school age children. When the kids get into serious trouble together, how will the parents relationships change with and among each other? Will the parents protect the kids or force them to face the consequences of their actions?
Giulio suddenly finds himself having to change his life when his wife, after discovering his betrayal, asks for a separation and, suddenly, the reality around him is no longer the same. Forty years old and father of two children, Giulio is forced by circumstances to say goodbye to family and economic well-being and to study new solutions in order to stay afloat and not drown in a new poverty made of double rents and double bills to pay, solitary lunches in fourth-rate restaurants, children's wishes not to be ignored and creditors to hide from.
Alfredo and Susanna are two well-off fifty-year-olds who lead a stimulating cultural life. He is an architect and she is a psychologist; they live in Rome but spend their weekends at their country home in Umbria, where they love to spend their days walking in the forests or relaxing poolside with a good book. One day, as she goes into town, Susanna sees a girl prostituting herself in the bushes on the side of the road and decides to save her from her unhappy existence, despite the enormous differences that separate their ways of life.
Anna and her son Valerio run away from a husband and a father who has destroyed the love of their family with beatings and anger. They seek refuge in Turin, with Carla, a lifelong friend, an actress and a woman who lives against the grain, who welcomes them, and with the example of her own experience, will show them the way to a just and possible rebirth.
The story of a small, simple and happy family in which a boy, a manipulator, violently enters, which distorts the life of this wonderful fifteen-year-old and makes her a nightmare.
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
The Champions League Final, on 31st May 2001, in Rome. A football match unites men that have nothing in common with each other. The stadium becomes a modern Greek theatre, where five dramas touch one another, only to fade away in a few minutes. The main characters are, Simone, Alice, Gabriele, Pietro and Achille, all different types of people, of different ages, all looking for a place to find some peace and quiet, a taste of happiness and love, as well as someone to trust in. At the last stage people laugh, but there is always a bitter note to their laughter. And their laughter is louder and more satisfying the greater their adversity. Indeed, in the end, there is always a reason to go on, a final stage from which to rise.
A man walks out of his house with two bananas hidden in his pockets, another one is practising thai chi in a deserted Rome. A man dressed in animal skins walks next to an electric wheelchair driven by an elegant old woman with platinum blond hair. Then a gypsy woman, card players, an acrobat, two strange lovers. A couple of nuns walk by while two curious characters play the harmonica. Their dogs sing and bark. Curious barmen come out of the San Calisto saloon. All waiting for the big duel. Seagulls circling like vultures. And then the two men meet. A glance, a shot, a siren. And the square returns to the red zone again, as if nothing had happened.