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Martijn Blekendaal and Finbarr Wilbrink travel along the Underground Railroad, the underground network that helped thousands of enslaved people escape to freedom. They ask themselves: How does the past of slavery impact contemporary life in America?
Filmmaker Martijn Blekendaal thinks there should be a superhero for invisible children: kids who need to be invisible because otherwise their lives are in danger. In The Invisible Ones he tells the stories of four children—some of whom are now 85 years old—who learned to master the art of going unnoticed. This is something he learned to do in his own life.
An ode to multi-talented artist and radio and television producer Wim T. Schippers by absurdist Ronald Snijders. In a cheerfully disruptive manner, Snijders guides the viewer through a richly illustrated overview of Schippers' work, where they meet the man who could both seduce and intentionally bore, confuse, shock, and irritate Dutch television viewers. Many clips of Schippers became legendary, such as Queen Juliana cleaning Brussels sprouts, a naked Phil Bloom reading the newspaper, and the shows featuring Barend Servet and Sjef van Oekel. Schippers wrote the sheepdog play Going to the Dogs and has been the voice of Ernie in Sesamstraat for many years.
Bas Jan Ader's first fall film shows him seated on a chair, tumbling from the roof of his two-storey house in the Inland Empire.
Untitled (Tea Party) is a short silent film. The camera slowly zooms into a sunlit clearing in a forest where Ader, formally dressed, is crawling towards a large box, propped up by a stick, under which he takes his afternoon tea—in the English style.
The life and work of enigmatic Dutch/Californian conceptual artist Bas Jan Ader, who in 1975 disappeared under mysterious circumstances at sea in the smallest boat ever to cross the Atlantic. As seen through the eyes of fellow emigrant filmmaker René Daalder, the picture becomes a sweeping overview of contemporary art films as well as an epic saga of the transformative powers of the ocean.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
James Cameron and Simcha Jacobovici go on an adventure to find the lost city of Atlantis by using Greek philosopher Plato as a virtual treasure map.