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The year is 1630. A young woman in Laupstad comes to a small mountain village. She witnesses a woman being hunted and captured.
A poetic film about a cruel theme, told in a way that doesn't make the spectators close their eyes.
An episode film initiated by Erik Borge, the fresh director of Norwegian Film, giving fresh film makers a chance of being seen by a big audience. Anja Breien, Egil Kolstø and Espen Thorstensons got the chance with very diverse films.An episode film initiated by Erik Borge, the fresh director of Norwegian Film, giving fresh film makers a chance of being seen by a big audience. Anja Breien, Egil Kolstø and Espen Thorstensons got the chance with very diverse films.
Gathered at a funeral for a successful business man, the testament is to be read. They will all inherit, with a big IF; if the family company is to be joint run by all the heirs.
Arvid falls in love with Lydia but puts the budding romance on hold to pursue a career and material wealth. Lydia is willing to wait for Arvid, until her father dies, leaving her finances in a dire state.
Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.
A weathered face, an old man skiing in Rondane ... Neapolitan song, music over the snow - memories of childhood summers, a boat ... The landscape is snowy now - a boat here ... In the snow?
A film about faces, about expressions, about situations. The film is based on a poem by the Danish poet Poul Borum. The recordings are made in the Munch Museum in Oslo and based on the faces of Munch's pictures.
A political short from Norwegian director Anja Breien.
A short essay from Anja Breien about her father