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Denev is a specialist in his area. and has no time to write his dissertation. His cousin Ivan offers his help to switch places wich leeds to catostrophe.
The relationship between two potters from the village of Busintsi, famous for its ceramics, with two different life positions towards the vocation, one of art and one of work.
This film is a comedy about a poor man named Purko. Purko always fails in his attempt to escape from poverty. The film illustrates the social and the moral atmosphere in Bulgaria during the 1930's.
Teenagers Margarit and Margarita are in love. When Margarit defends Margarita from a joke at school, he gets expelled, and she joins him. Initially, things seem promising as Margarita has a chance to study folk dance with Julian, a gay instructor, and possibly join his company. Both Margarit and Julian are jealous, though it’s unclear of whom. Julian frames Margarita, and Margarit takes the blame. Margarita then attracts the attention of Nerizanov, a lustful and bisexual party boss, leading to further complications.
A middle-aged man makes every effort to provide for more or less decent life for his family. He is a driver who carries vegetables and fruits. He spends reasonable to save for his family and especially for his kid. Everything is all right until the day when the boy finds out that the part of the money have been made in indecent way. This revelation provokes a serious conflict in the family and the boy deserts his home. The man makes an attempt to put an end to his shady deals, but it turns out to be impossible. His 'employers' display exorbitant aggressiveness.
The monotonous existence of the underage residents at the Home for Oligophrenics, designated as No. 8, is marginally diversified by preparations for Children's Day. Marching and gymnastic routines are rehearsed. In instances where the impaired children fail to perform adequately, physical violence is administered. Every effort is made to ensure the institution presents a favorable image to the ministerial superiors. Conversely, these children, disadvantaged by nature, find their own small joys—some enjoy singing, others dancing, and some playing football. However melancholic life at Home No. 8 may appear, it remains a sunlit paradise compared to the destination awaiting everyone who reaches the age of 18: the home for adult oligophrenics No. 6.
A piercing look into the heated ambition, rivalry and coercive power of the written word in the advent of the free press in 90's Bulgaria. Using Volev's signature subtle irony, the documentary captures both the camaraderie and animosity of early media magnates at their utmost honesty.
Four friends and three girls spend a summer on a desolated beach, living in an abandoned hut.
Sofia, the 90's. Emilia's colorful group of friends are portrayed in a series of separate but intertwined stories. On its own each story peers into the life of a single downtrodden person. Viewed as a whole, they portray a common struggle of coming to terms with the uncertain world these people live in, and how it all weighs on Emilia.
Two friends (Katarina Didaskalou, Stefan Danailov) are separated when their village is divided by Communism, but they meet again 40 years later and begin having an affair.