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John (played by Erik Clausen) is in prison for petty crime. His son is getting married and he has been granted accompanied leave to attend. The provincial Bo (played by Jesper Asholt) accompanies him.
A man has been in prison for sixteen years after killing of his wife. Now he seeks to create a new life, where he only finds warmth and fellowship with Turkish immigrants. He will also try to come to terms with the daughter who hates him. Denmark's submission for the Academy Award for Best Foreign Language Film in 1986.
Herluf lives a complacent life with his wife Inger-Lise. Their daily routines are only interrupted by their daughter's marriages, the third now about to take place. But Herluf's problems are more serious than an indecisive daughter, his wife is cheating on him and he's started forgetting things at work. And one day Herluf doesn't return home.
Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.
When career criminal John - the character from Clausen's drama-comedy »Temporary Release« (2007) - is granted parole, he hastens to Jutland to visit his son who is in difficulty. John might be a dedicated father, a perfect employee, and a great line-dancer, but life isn't exactly plain sailing.
Eleven-year old Rikke lives alone with her father, whose only interest in life seems to be the soccer matches which appear on his television. Not surprisingly, Rikke is somewhat bored. She enters a contest put on by a cereal company which has as its grand prize a horse. Since she lives in the city in a second floor apartment, it never occurred to her that she might win, but win she does. The horse ("Mama-Mia") duly appears, and she and the members of her slum neighborhood come together to cope with the situation in a delightful way.
The slightly self-indulgent artist Thorvald collapses during an interview made in celebration of his 80th birthday and dies shortly after. But in spite of his death Thorvald can still follow those left behind. From a distance, and for better or worse, he sees with his own eyes the imprint he has left on his family and especially his son Vincent, who had a strained relationship with his father.
The early 1990s: 300,000 Danes are out of work. Viggo, a machinist with two grown children, is silent about feelings, scared he'll lose his job, loud about the value of trade unionism, interested in his pet fish, and argumentative at dinner. His wife Oda puts up with his moods and works on family genealogy. When Viggo is laid off, he becomes a fish out of water, hardly looking for work, starting a garden, and taking up with Karen, a polished but unhappy widow. He lies to his wife about a union training and goes to Mallorca with Karen. When she stops the affair, Viggo ends up in a psychiatric ward and must figure out what's really important in his life and in his character
Anna, a young and aspiring actress who has not had much success, offers to care for the father of Jorgen, who has been burdened with the responsibility. The father, Walentin, is in a mostly comatose state, which makes him the perfect audience for Anna, who begins acting out her scenes in front of him. Gradually, Walentin shows signs of recovery -- but is this due to Anna's kindness, or is it possible that the old man is a pretty good actor himself?
Old rockers, like soldiers, never die, they only pass away. Well, Erik Clausen turns nostalgia into a vivid tribute to the moods and manners of the 1950s Danish Rock'n Roll by picking up a group of dispersed fellow bandsmen from wherever life and fate have left them stranded to have them revive their group and relive the good old days. A spirit of social solidarity permeates throughout.