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An early black-and-white mood piece, Rejtman’s lyrical short film fuses a young couple’s passage into early adulthood with a journey through Buenos Aires in the quietest moments at the very break of day.
After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.
Dealing with a series of increasingly absurd situations and relationships, recently separated yoga instructors Gustavo and Vanesa are finding it difficult to live apart. Their challenges include meddling mothers, amnesiac students, and burgeoning romances. Step by step, they find their way back to the practice.
Sergio is a drama teacher for children. Through his classes we learn something about him and his students. Pain is above fear. Children can only act as children. A child cannot act as a policeman, an old man, a prostitute, for example. The great advantage of a child is that he is the only one who can act as a child naturally. Therefore, their greatest competitors are animals.
Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.
This film follows the crisscrossed fortunes of, among others, a rock musician, a flight attendant, a dog walker with an alarming penchant for over-the-counter medication, and a cab driver, who doesn’t really care about his life spiralling out of control, as long as he can sit in his old Renault 12.
Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.
The Bolivian community settled in Argentina celebrates over two consecutive Sundays in October the festival of their patron saint: Our Lady of Copacabana. Music and dance groups arrive from all over the country and meet in the Charrúa quarter in Buenos Aires. This celebration is the most important event for Bolivian immigrants and goes beyond folklore and religion to become a vibrant meeting place and bring about the cultural cohesion of traditions deeply-rooted in the collective memory of a people.
In Argentina, the majority of delivery drivers working for local UberEats clone apps are Venezuelans who have fled the crisis ravaging their country. Filmed during the pandemic in Buenos Aires, Caracas and Colonia Tovar, Riders forcefully immerses us in the gruelling daily lives of those exploited by the platform economy at both ends of South America.
The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.