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Trace (the film) is inspired by a 1984 show by Noemi Lapzeson. A dance film for the camera, directed by Daniel Böhm
CRAZY BELCHES OUT A GHOST. From there on the two women, almost Siamese in their connection, will fight until one remains. The film's explores cinema and dance from a perspective outside either discipline's language
Four woman of different generations. Their bodies and faces confronted with a tender and ruthless camera. Explicit and implicit movements; intimacy, shyness and extravagance in a mysterious choreography. A magnifying glass that explores and amplifies their moods, and silences: a shared loneliness.
Cyberspace grows without limits, yet mental time is not infinite. Webcam Star Alan do Oro opens up a world to come, where flesh, sexuality and intimacy meet the immense possibilities of cybernetics and the posthuman. Sensuality is in slowness, and the space of information is too extensive and fast to elaborate upon it intensively and deeply. At the point of intersection between electronic science fiction and organic cybertime lies the fundamental matter of contemporary porn. Performed by Alan do Oro.
MARCIAL’S VERSION juxtaposes reality with illusion, in a manner reminiscent of the ‘Film Noir’ style of the 40’s. Filmed in the underbelly of Buenos Aires, the film plunges the viewer in the murky investigation of a crime where love, money and betrayal are all intricately woven together. With seductive strains of Tango in the background, the viewer is jarred by the counterpoint between Marcial's discourse - his version of the events as told to the police - versus the truth on the screen.
A woman locks herself in the bathroom. It’s late at night and everything -and everybody- will remain outside her small, claustrophobic world. But before the new day arrives he will knock at the door. This is a combination of dance and the cinematic exploration of the tension between loneliness and contact, a tension we could call intimacy.
Four men share one apartment, unaware of each other's presence : they are all one and the same man, at different stages of his life. Suddenly, something goes wrong and for a brief moment all their paths intersect. The camera witnesses this instant through a poetic investigation on male bonding and movement.
Don Diego Vega pretends to be an indolent fop as a cover for his true identity, the masked avenger Zorro. Preserved by the Academy Film Archive in 2012.
In this film, edited from eight episodes of Disney's hit TV series, Don Diego returns home to find his town under the heel of a cruel dictator, Capitan Monastario. Diego dons the mask of Zorro to fight the evil commandant's tyranny, and, with the help of his mute servant Bernardo, free the pueblo from his oppression.
It has been twenty years since Don Diego de la Vega fought Spanish oppression in Alta California as the legendary romantic hero, Zorro. Having escaped from prison he transforms troubled bandit Alejandro into his successor, in order to foil the plans of the tyrannical Don Rafael Montero who robbed him of his freedom, his wife and his precious daughter.