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Racy monster movie parody.
A sequel to Soinio's film Kuutamosonaatti (Moonlight Sonata) of 1988. A rural family clings to life until the resourceful Sulo uses the salvific powers of sauna, moonshine, and tar to resurrect his injured brother Arvo, their deceased mother, and even buried revolutionaries. When Arvo drifts to Helsinki and falls into illicit moonshining and wild pursuits of a celebrity, Sulo and their revived mother set out to retrieve him from his urban excesses.
A female fashion model Anni Stark takes leave from the fashion business and goes to Finland's Lapland for a vacation. Little does she know that there's a totally lunatic bunch of local hillbillies living in a nearby farmhouse. The plot thickens as one of the residents begins to harass Anni, who is left alone in the wilderness with only her dog to protect her. Too bad for her that her dog turns out to have divided loyalties.
A small gas station is held in the grip of a sinister trio of men until a rugged stranger, acting as the protector of truckers, appears on the scene. He puts the villains in order. At the same time, a legend of wonder is born, and the gas station begins to attract the crippled and burdened, awaiting healing
Trollforest is in grave danger, so Rölli the Troll must unite with a Forest Fairy to save their home.
Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.
Pekka arrives back to his home village of Jerusalem to celebrate the last wedding of the village. His own marriage seems to have reached a dead end. The people of the village gather to prepare for the event, and the bitter spectrum of all human life, with its joys and sorrows, is condensed into one summer's day.
Second silver screen adaption of the Finnish war book by Väinö Linna. The story is based on Linna's experiences as an infantry man in the Finnish army during the so called "Continuation War" (1941-1944).