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The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.
Janaki, an educated and progressive woman, often challenges the orthodox beliefs of Somalingam, a conservative bachelor who dislikes modern women. When her stepmother arranges her marriage to her cousin Ramana Rao, who abandons his lover Lalitha for the alliance, Janaki runs away and seeks refuge in Somalingam’s quarters. Rumors spread about their relationship, leading to both being thrown out. Disheartened, Somalingam joins an ashram, while Janaki faces hostility from locals and eventually ends up there after being assaulted. As Somalingam nurses her back to health, the two gradually develop feelings for each other. Meanwhile, Ramana Rao arrives with the police and takes Janaki away. In the end, misunderstandings are resolved, Somalingam abandons his rigid views, and Janaki’s father approves their union. The story concludes happily with the marriage of Janaki and Somalingam.
Satyam, a moneylender's son, is supposed to marry his neighbour's daughter Subbulu. However, complications arise when Satyam lands up in jail.
Rao and Mary, unemployed college graduates from Madras, act as if they are a married couple to get jobs as schoolteachers in the small village of Appapuram. Their story unfolds into an extremely hilarious comedy as they try to cover up that Mary is a christian. They are assisted in their drama by Devaiah, a friend and ex-beggar, in fooling the family they work for.
Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.
Parvati seeks to heal the breach between her husband and his mother
After his business partner embezzles money and leaves him penniless, Parvati's husband passes away, leaving behind two sons, Prabhakar and Sudhakar, & a dumb daughter, Gauri, virtually on the verge of destitution, When Prabhakar grows up, he marries Pooja and moves out. Years pass by, Sudhakar has grown up, has managed to complete schooling, gets a job out of town and re-locates.
Ramadasu, a perpetual debtor, wants his son Raghu to marry Manjari in order to acquire Mukunda Rao's assets. But Raghu is already married to Leela and Manjari loves Raja, Leela's brother. Raja and his friend Bhaja Govindam hatch a plan to teach everyone a lesson.
Rajendra makes a meager existence supporting his younger brother and sister and vows not to marry until they have settled. However, when his sister loses her sight, his grand plan is threatened.
Decades ago, three kingdoms hid their wealth in a secret location and left clues in three necklaces. In the search for this treasure, two long-lost brothers unknowingly come together.